Consciousness, Literature and the Arts

Editor:
Daniel Meyer-Dinkgräfe
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The series entitled Consciousness, Literature and the Arts is a scholarly line of books consisting of monographs (and thematic collections of articles), in the English language, dealing with a wide variety of areas, problems, and applications within the broad field of consciousness studies in relation to literature and the arts with all their sub-genres.

Authors are cordially invited to submit proposals and/or full manuscripts to the publishers at BRILL, Masja Horn and Rebecca Short.
Live Encounters and Aesthetic Experience
Understanding the Ineffable in Performance
Volume 62
By: Leo Marko
978-90-04-76574-0
Dreamwork for Dramatic Writing
Dreamwrighting for Stage and Screen
Volume 60
978-90-04-53596-1
Stravinsky, God, and Time
Volume 59
978-90-04-51853-7
Conscious Theatre Practice
Yoga, Meditation and Performance
Volume 58
978-90-04-46792-7
The Alchemical Actor
Volume 57
978-90-04-44942-8
Stoicism and Performance
A Joyful Materialism
Volume 56
978-90-04-40954-5
Philosophizing Brecht
Critical Readings on Art, Consciousness, Social Theory and Performance
Volume 55
978-90-04-40450-2
Time, Consciousness and Writing
Peter Malekin Illuminating the Divine Darkness
Volume 54
978-90-04-38273-2
Cityscapes of the Future
Urban Spaces in Science Fiction
Volume 53
978-90-04-36131-7
Art and Adaptability
Consciousness and Cognitive Culture
Volume 52
978-90-04-35626-9
Presence of the Body
Awareness in and beyond Experience
Volume 50
978-90-04-33474-8
Spike Milligan's Accordion
The Distortion of Time and Space in The Goon Show
Volume 49
978-90-04-31070-4
The Persistence of the Human
Consciousness, Meta-body and Survival in Contemporary Film and Literature
Volume 48
978-90-04-32367-4
Art and the Brain
Plasticity, Embodiment, and the Unclosed Circle
Volume 47
By: Amy Ione
978-90-04-32299-8
Scanning the Hypnoglyph
Sleep in Modernist and Postmodern Representation
Volume 46
978-90-04-31621-8
The Subject of Aesthetics
A psychology of art and experience
Volume 45
978-90-04-30901-2
Making Mind
Moral Sense and Consciousness in Philosophy, Science, and Literature
Volume 43
978-94-012-1177-2
In Quest of the Self
Masquerade and Travel in the Eighteenth-Century Novel. Fielding, Smollett, Sterne
Volume 42
978-94-012-1172-7
Fluxus
The Practice of Non-Duality
Volume 41
978-94-012-1094-2
Beyond Bodies
Gender, Literature and the Enigma of Consciousness
Volume 38
978-94-012-1079-9
Cognitive Iconology
When and How Psychology Explains Images
Volume 37
978-94-012-1070-6
Observing Theatre
Spirituality and Subjectivity in the Performing Arts
Volume 36
978-94-012-1029-4
New Guide to Poetry and Poetics
Volume 35
978-94-012-1013-3
Reading Coetzee
Volume 34
978-94-012-0958-8
Theatre, Opera and Consciousness
History and Current Debates
Volume 33
978-94-012-0929-8
Art and Identity
Essays on the Aesthetic Creation of Mind
Volume 32
978-94-012-0904-5
Agents of uncertainty
Mysticism, scepticism, Buddhism, art and poetry
Volume 31
978-94-012-0787-4
The Dancing Word
An Embodied Approach to the Preparation of Performers and the Composition of Performances
Volume 30
978-94-012-0026-4
Utopia and Consciousness
Volume 29
978-90-420-3306-1
Zones of Re-membering
Time, Memory, and (un)Consciousness
Volume 28
978-90-420-3260-6
Between Play and Prayer
The Variety of Theatricals in Spiritual Performance
Volume 27
978-90-420-3171-5
Metaphors, Narratives, Emotions
Their Interplay and Impact
Volume 24
978-90-420-2780-0
Patterns of Creativity
Investigations into the sources and methods of creativity
Volume 22
978-90-420-2721-3
Time, Memory, Consciousness and the Cinema Experience
Revisiting Ideas on Matter and Spirit
Volume 21
978-90-420-2641-4
Touching Surfaces
Photographic Aesthetics, Temporality, Aging
Volume 19
978-94-012-0669-3
Hyper-Narrative Interactive Cinema
Problems and Solutions
Volume 18
978-94-012-0629-7
Joys and Sorrows of Imaginary Persons
On Literary Emotions
Volume 16
978-94-012-0579-5
Integral Drama
Culture, Consciousness and Identity
Volume 15
978-94-012-0578-8
The Rhythm of Space and the Sound of Time
Michael Chekhov’s Acting Technique in the 21st Century
Volume 14
978-94-012-0576-4
General Editor:
Daniel Meyer-Dinkgräfe, University of Lincoln, UK

Editorial Board:
Anna Bonshek, Maharishi Vedic Research Institute, Australia
John Danvers, University of Exeter, UK
Amy Ione, Diatrope Institute, USA
Michael Mangan, University of Exeter, UK
Jade Rosina McCutcheon, University of Melbourne, Australia
Gregory Tague, St Francis College (Brooklyn), USA
Arthur Versluis, Michigan State University, USA
Christopher Webster, Aberystwyth University, UK
Ralph Yarrow, University of East Anglia, UK
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