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Dynamic Partnership
The work of married women in Dutch seventeenth-century artists’ households
in Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek OnlineSearch for other papers by Marleen Puyenbroek in
Current site
Google Scholar
Abstract
This essay reevaluates the roles of married women in Dutch seventeenth-century artists’ households, challenging the idea that women ceased professional artistic pursuits upon marriage. Using diverse sources – including archival documents, artist biographies, moralistic literature, contemporary socio-economic studies, and an updated overview of female artists – this study expands the established understanding that family businesses provided work opportunities for daughters by demonstrating that married women were also actively engaged in art production, both directly and indirectly. Women performed various tasks beyond domestic duties, ranging from financial management and marketing artworks to creating art and generating additional income. By introducing the concept of “dynamic partnership,” and featuring well-known cases like Judith Leyster alongside new examples, this analysis offers a nuanced understanding of the diversity and flexibility of labor division within these households. As such, this study not only highlights the economic and creative contributions of married women to the Dutch art world but also illuminates the integrated functioning of artists’ workshops.
| Insgesamt | Letzte 365 Tage | In den letzten 30 Tagen | |
|---|---|---|---|
| Aufrufe von Kurzbeschreibungen | 7 | 0 | 0 |
| Gesamttextansichten | 852 | 302 | 28 |
| PDF-Downloads | 3420 | 2453 | 66 |
Dynamic Partnership
The work of married women in Dutch seventeenth-century artists’ households
in Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek OnlineSearch for other papers by Marleen Puyenbroek in
Current site
Google Scholar
PubMed
Abstract
This essay reevaluates the roles of married women in Dutch seventeenth-century artists’ households, challenging the idea that women ceased professional artistic pursuits upon marriage. Using diverse sources – including archival documents, artist biographies, moralistic literature, contemporary socio-economic studies, and an updated overview of female artists – this study expands the established understanding that family businesses provided work opportunities for daughters by demonstrating that married women were also actively engaged in art production, both directly and indirectly. Women performed various tasks beyond domestic duties, ranging from financial management and marketing artworks to creating art and generating additional income. By introducing the concept of “dynamic partnership,” and featuring well-known cases like Judith Leyster alongside new examples, this analysis offers a nuanced understanding of the diversity and flexibility of labor division within these households. As such, this study not only highlights the economic and creative contributions of married women to the Dutch art world but also illuminates the integrated functioning of artists’ workshops.
| Insgesamt | Letzte 365 Tage | In den letzten 30 Tagen | |
|---|---|---|---|
| Aufrufe von Kurzbeschreibungen | 7 | 0 | 0 |
| Gesamttextansichten | 852 | 302 | 28 |
| PDF-Downloads | 3420 | 2453 | 66 |
