| 0.1 | The arrival of prisoners in S-21. The author (possibly Vann Nath) is unknown as the painting is not signed. Currently, the work is displayed in Building B along with the identification pictures of S-21 prisoners (© TSGM) | 6 |
| 0.2 | Shackles in the room where identification pictures of S-21 prisoners are displayed (© TSGM) | 9 |
| 0.3 | Display of torture devices and paintings of Vann Nath on the walls (© TSGM) | 10 |
| 0.4 | Map of skulls representing Democratic Kampuchea (© TSGM) | 11 |
| 0.5 | View of the memorial and Building D (© A.-L. Porée) | 19 |
| 1.1 | Mapping of M-13 (© Hang Nisay) | 35 |
| 2.1 | On the left, the confession with thumbprint of S-21 interrogator Lay Meng Hong, signed on 22 March 1977. He was interrogated by Ky Chorn. On the right, the confession of the same Ky Chorn, signed on 9 August 1977 (© TSGM) | 51 |
| 3.1 | S-21 survivors gathered on site in 1980 (© Studio H&S) | 62 |
| 3.2 | S-21 survivor Chum Mey at TSGM, 2013 (© A.-L. Porée) | 73 |
| 3.3 | S-21 survivor Bou Meng at TSGM, 2015 (© A.-L. Porée) | 74 |
| 4.1 | Museum room where the visitors signed the visitor books (© TSGM) | 79 |
| 4.2 | Photo of Ung Pech by John Quigley (© John Quigley) | 83 |
| 4.3 | IADL mission at TSGM in April 1979, Chemillier-Gendreau is fourth from left, obscured (© AKP) | 88 |
| 4.4 | Comments in visitor book by Victor Umbricht, François Bugnion, and Jacques Beaumont, 17 July 1979 (© TSGM) | 91 |
| 5.1 | Leaflet “Musée Crime Tuol Sleng,” Musée du Crime Génocide Tuol Sleng (© Stiftung Deutsches Historisches Museum) | 109 |
| 7.1 | Graffiti from prison time in Building C (© Jean-Sien Kin) | 134 |
| 7.2 | Detail of the floor tiles, Building A, First floor, Room 3 (© Jean-Sien Kin) | 136 |
| 7.3 | Room with the photo the museum staff could identify, Building A, First floor, Room 3 (© Jean-Sien Kin) | 136 |
| 7.4 | Wooden single cell, Building C, First floor (© Jean-Sien Kin) | 137 |
| 8.1 | Graffiti under the stairs, 2019 (© B. Shepherd) | 157 |
| 8.2 | Panel of paper installed to discourage writing on the wall, 2019 (© B. Shepherd) | 158 |
| 8.3 | Close up of messages left on one panel, 2019 (© B. Shepherd) | 159 |
| 9.1 | ‘Children of Angkar’ temporary exhibition at TSGM (© Julia M. Brennan, 2017) | 167 |
| 9.2 | Garments displayed in window cases of the permanent exhibition in Building B, 2018 (© Julia M. Brennan) | 168 |
| 9.3 | Julia Brennan and TSGM Staff member Chheang Sokpenh sorting textile fragments in protective garbs, TSGM Conservation (2018) | 170 |
| Julia Brennan and Kho Chenda examining together a patched man’s blue linen shirt at the textile conservation lab, TSGM Conservation (2020) | 171 | |
| 9.5 | Woman’s black shirt, reference object 0017, courtesy of TSGM (© Magali An Berthon, 2020) | 175 |
| 10.1 | People’s Revolutionary Tribunal, August 1979 (© AKP) | 184 |
| 10.2 | Former S-21 prisoner Ung Pech testifying at the People’s Revolutionary Tribunal (© AKP) | 186 |
| 10.3 | Chaktomuk Theater, Phnom Penh, where the People’s Revolutionary Tribunal was held (© AKP) | 190 |
| 11.1 | Choeung Ek stupa (left), and thousands of crania behind glass within the stupa (right) (© J. Fleischman) | 199 |
| 11.2 | Laboratory workspace with more than 100 crania that were systematically analyzed (© J. Fleischman) | 201 |
| 11.3 | Examples of cranial trauma at Choeung Ek. A) Blunt force trauma of the basicranium (© J. Fleischman); B) Blunt force trauma of the left side of the head. C) Sharp force trauma to the top, right side of the head (© J. Fleischman) | 203 |
| 11.4 | Examples of implements purportedly used to inflict injuries: iron bars, knives, and a farming hoe. These implements are on display at the Choeung Ek Museum (© J. Fleischman) | 206 |
| 12.1 | Duch making the Khmer Rouge revolutionary salute during his trial at the ECCC (© ECCC) | 214 |
| 13.1 | From Tian, L’Année du Lièvre – Un Nouveau Départ (Paris: Gallimard, 2016), 2–3 | 227 |
| 13.2 | From Séra, L’Eau et la Terre – Cambodge 1975–1979 (Paris: Delcourt, 2005), 102–103 | 230 |
| 13.3 | From Loo Hui Phang and Michaël Sterckeman, Cent Mille Journées de Prières (Paris: Futuropolis, 2011), 46 | 237 |
| 13.4 | From Freddy Nadolny Poustochkine, La Colline Empoisonnée (Paris: Futuropolis, 2010), 39 | 241 |
| 14.1 | Contact prints album, TSGM archive. The album is not the one made by the Photo Archive Group but is based on the same model (© TSGM) | 247 |
| 14.2 | Contact prints album, identification photos of S-21 prisoners, TSGM archive (© TSGM) | 248 |
| 14.3 | Le Bruit et La Stupeur, Dominique Mérigard (© D. Mérigard) | 257 |
| 15.1 | Photo taken by Rithy Panh in Japan on the set of Irradiated (© R. Panh) | 261 |
| 15.2 | Photo taken by Rithy Panh in Japan on the set of Irradiated (© R. Panh) | 262 |
| 16.1 | View of the Choeung Ek Genocidal Center (© C. Bennett) | 278 |
| 16.2 | S-21 prisoner Chan Kim Srun (© TSGM) | 280 |
| 16.3 | Stupa memorial at the Choeung Ek Genocidal Center (© C. Bennett) | 290 |
In: Tuol Sleng Genocide Museum
Editors:
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Stéphanie Benzaquen-Gautier
Stéphanie Benzaquen-Gautier
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Anne-Laure Porée
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