| 2.1 | Map of Tongerseweg Cemetery, with location of graves discussed in the text | 20 |
| 2.2 | Muslim grave (2015) | 25 |
| 2.3 | The grave of nobody | 28 |
| 3.1 | Georg Reutter Jr., Mater Dolorum, aria 7 | 40 |
| 3.2 | Georg Reutter Jr., Mater Dolorum, aria 15 | 43 |
| 3.3 | Georg Reutter Jr., Mater Dolorum, aria 3 | 46 |
| 3.4 | Reinhard Keiser, Der blutige und sterbende Jesus, aria 22d | 49 |
| 3.5 | Reinhard Keiser, Der blutige und sterbende Jesus, acc. 57 | 50 |
| 3.6 | Reinhard Keiser, Der blutige und sterbende Jesus, aria 64 | 53 |
| 3.7 | Reinhard Keiser, Der blutige und sterbende Jesus, arioso 74 | 55 |
| 3.8 | Reinhard Keiser, Der blutige und sterbende Jesus, acc. 72 | 56 |
| 5.1 | Measures 17–28 from Introit: Requiem Aeternam with dynamic markings circled | 90 |
| 5.2 | Measures 67–77 from Benedictus/Agnus Dei/Communion with dynamic markings circled in the strings and chorus | 91 |
| 5.3 | Measures 25–33 from Sequence: Dies Irae with measures 25–29 circled to highlight orchestral texture against the chorus and the crescendo/decrescendo effect being utilized | 93 |
| 7.1 | Commemorative area | 121 |
| 7.2 | Roll of honour in the Cloisters | 121 |
| 7.3 | Tomb of the unknown Australian soldier | 122 |
| 7.4 | Hall of Memory dome | 123 |
| 7.5 | Small bottle of rum | 130 |
| 7.6 | Wall plaques with poppies | 131 |
| 7.7 | Bewes Poppy | 132 |
| 7.8 | Panel | 134 |
| 7.9 | Jarrad Brown photograph | 134 |
| 7.10 | Jarrad Brown photograph (reverse) | 135 |
| 15.1 | Ohio National Guard at Kent State University using tear gas to disperse student protestors against the Vietnam War | 239 |
| 15.2 | Model of Bruno Ast’s winning design for the May 4 Memorial | 242 |
| 15.3 | The May 4 Memorial at Kent State | 244 |
In: Grief, Identity, and the Arts
Editors:
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Bram Lambrecht
Bram Lambrecht
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Miriam Wendling
Miriam Wendling
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