Film festivals around the world are in the business of making experiences for audiences, elites, industry, professionals, and even future cultural workers. Cinema and the Festivalization of Capitalism explains why these non-profit organizations work as they do: by attracting people who work for free, while appealing to businesses and policymakers as a cheap means to illuminate the creative city and draw attention to film art. Ann Vogelâs unprecedented systematic sociological analysis thus provides firm evidence for the âfestival effectâ, which situates the festival as a key intermediary in cinema value chains, yet also demonstrates the impact of such event culture on cultural workersâ lives. By probing the various resources and institutional pillars ensuring that the festivalization of capitalism is here to stay, Vogel urges us to think critically about publicly displayed benevolence in the context of cinemaâand beyond.
Ann Vogel, Ph.D. is a sociologist who works at the University of Applied Sciences for Public Administration, Police Administration and Administration of Justice Mecklenburg-Vorpommern in Güstrow, Germany as a research promotion manager.
Acknowledgments
List of Figures and Tables
Introduction
Film Festivals, Introducing a Global Population
Part 1 Affordances 1âFilm Festivals and Festivalization
2âThe Experience-Maker
3âAlternative Exhibition
Part 2 Devices 4âMimetic Adoption and Social Capital
5âFestival Devices
6âExamining the Festival Effect
Part 3 Justifications 7âFilm Festival as Charismatic Organization
8âSpreading the Risk: Film Festival Work and Creative Labor Strategies
9âInstitutional Supports for Festival Volunteering
10âThe Calling of Unpaid Labor
Part 4 Adjustments 11âAffect, Event, and Social Order
12âA Postmodern Grants Economics: Elites, Excess, and Cultural Diversity
13âActivation, or the Eclipse of the Civic Polis
âToward Social Activism, a Conclusion
âAppendix: Methodological Supplement for Chapter 6
âBibliography
âindex
All with an interest in the Humanities, especially Media, Cultural and Communication Studies and Cinema & Film Festival Research; Social Sciences (especially economic and cultural sociology, cultural economics, capitalism theory, Weberian sociology, New Institutionalism, non-profit sector research, management and business studies); industrial sociology and film performance analysis.