This book develops a new theory of liveness and presence, drawing on Zeamiâs 15th-century treatises on nÅ theatre. It addresses what it means for something to be the real thing, in real time, and why it matters. Rather than making technical distinctions between media, critiquing liveness as ontologically impossible, or approaching it as merely subjective, Leo Marko defines the live through sense-making and ineffability. Via recent debates in performance studies, Zeamiâs ideas of how the âflowerâ depends on secrecy, and examples ranging from nÅ to Darth Vader and pop lyrics, âlive senseâ is conceptualized as an appreciation of situated, aesthetic and undefinable meaning.â
Leo Marko gained a Ph.D. in Theatre Studies from Stockholm University in 2024. He has studied aesthetics and performance studies and works as a university teacher and independent researcher.
Acknowledgments List of Figures Note on Language and Names
Introduction: Live Sense and Literal Sense
â1âLiteral Sense: Replacing Uncertainty with Certainty
â2âThe Transformation of Perspectives
â3âPhilosophy East and West
â4âMaking Sense
â5âStructure of the Book
1 Liveness and Realness
â1âMedia and Live Mediation
â2âAgainst Deadness: Disappearance and Non-Identity
â3âCloseness and Mutability: towards a New Concept of Liveness
2 Objective Liveness
â1âSecrecy and Live Experience
â2âSecrecy and the Nature of Art
â3âUniversal Liveness
3 Subjective Liveness
â1âDarth Vader and Secret Secrets
â2âWhen âNothing Happensââa Performance of Mutsura
â3âReal Life: âSpring inte sÃ¥ fort pappaâ
â4âSubjective Liveness (and the Liveness of the Object)
Flowers in the Sky: Closing Reflection
â1âIn the Sky
â2âThe Meaning of Liveness and the Significance of Ineffability
Glossary of Japanese Terms References
âAbbreviations
âAudio and Video
âBooks and Articles
Index
This interdisciplinary book centered in theatre and performance studies will be greatly valuable for specialists and students at all levels working on the topics of liveness, presence, or Zeamiâs aesthetics. The conceptualization of the ineffability of presence and âreal lifeâ will also interest a wider readership of artists, critics and scholars.