Live Encounters and Aesthetic Experience

Understanding the Ineffable in Performance

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This book develops a new theory of liveness and presence, drawing on Zeami’s 15th-century treatises on nō theatre. It addresses what it means for something to be the real thing, in real time, and why it matters. Rather than making technical distinctions between media, critiquing liveness as ontologically impossible, or approaching it as merely subjective, Leo Marko defines the live through sense-making and ineffability. Via recent debates in performance studies, Zeami’s ideas of how the ”flower” depends on secrecy, and examples ranging from nō to Darth Vader and pop lyrics, ”live sense” is conceptualized as an appreciation of situated, aesthetic and undefinable meaning. 

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Leo Marko gained a Ph.D. in Theatre Studies from Stockholm University in 2024. He has studied aesthetics and performance studies and works as a university teacher and independent researcher.
Acknowledgments
List of Figures
Note on Language and Names

Introduction: Live Sense and Literal Sense
 1 Literal Sense: Replacing Uncertainty with Certainty
 2 The Transformation of Perspectives
 3 Philosophy East and West
 4 Making Sense
 5 Structure of the Book

1 Liveness and Realness
 1 Media and Live Mediation
 2 Against Deadness: Disappearance and Non-Identity
 3 Closeness and Mutability: towards a New Concept of Liveness

2 Objective Liveness
 1 Secrecy and Live Experience
 2 Secrecy and the Nature of Art
 3 Universal Liveness

3 Subjective Liveness
 1 Darth Vader and Secret Secrets
 2 When “Nothing Happens”—a Performance of Mutsura
 3 Real Life: “Spring inte så fort pappa”
 4 Subjective Liveness (and the Liveness of the Object)

Flowers in the Sky: Closing Reflection
 1 In the Sky
 2 The Meaning of Liveness and the Significance of Ineffability
Glossary of Japanese Terms
References
 Abbreviations
 Audio and Video
 Books and Articles
Index
This interdisciplinary book centered in theatre and performance studies will be greatly valuable for specialists and students at all levels working on the topics of liveness, presence, or Zeami’s aesthetics. The conceptualization of the ineffability of presence and ”real life” will also interest a wider readership of artists, critics and scholars.
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