Step into the pioneering field of Afropean Biblical Studies. This book constructs a Nigerian/British womenâs hermeneutic that reshapes how we read the New Testament, blending feminist, postcolonial, and decolonial approaches. In this book, readers will meet the author through her autobiographical reflections, which, alongside rich literary and cultural insights, illuminate fresh readings of biblical charactersâlike Herodiasâs daughter (Mark 6:17-28; Matthew 14:3-12) and the woman who washed Jesusâ feet (Luke 7:36-50)âand engage popular contemporary novels, including Bernardine Evaristoâs Girl, Woman, Other. Original, innovative, and methodologically bold, it challenges Western-dominated scholarship and opens new horizons in biblical interpretation.
Olabisi Obamakin is a Nigerian/British New Testament scholar and Postdoctoral Research Associate at Durham University. Her research focuses on Afropean womenâs hermeneutics and decolonial biblical interpretation, with publications in Horizons in Biblical Theology, Practical Theology, and Evangelical Quarterly.
Acknowledgements
1 Introduction
â1âResearch Context: Nigerian/British (Afropean) Woman
â2âResearch Aims and Questions
â3âResearch Rationale: the Problem of Muted Black/British Female Scholars
â4âResearch Objectives
â5âBook Outline
2 Locating the âFieldâ Between Africa and Europe
â1âIntroduction
â2âBetween Africa and Europe: the Emerging Field of Afropeanism
â3âThe Current Field of Feminist Biblical Hermeneutics
â4âThe Distinctiveness of My Research
â5âConclusion
3 Constructing an Afropean Womenâs Hermeneutic
â1âIntroduction
â2âAfropean Epistemology
â3âAfropean Cultural Mediums
â4âAfropean Themes
â5âRationale for Selecting New Testament Biblical Texts and Characters as Case Studies
â6âThe 6 Steps to Construct a Nigerian/British Womenâs Hermeneutical Framework
â7âConclusion
4 Donât Touch My Hair: a Nigerian/British Womenâs Reading of the Woman Who Washed Jesusâ Feet with Her Hair in Luke 7:36â50
â1âIntroduction: African Hair within a European Context
â2âRationale for Choosing This Pericope: The Lukan Version of the Story
â3âAutobiographical Reflection: Afro Hair in a Siloed Context
â4âHistory of Interpretation: Hair and Hypersexuality
â5âNigerian/British Cultural Reference: Emma Dabiriâs, Donât Touch My Hair
â6âDominant Motifs within Donât Touch My Hair: the Power of Hair
â7âNew Lenses into Luke 7:35â50 from Donât Touch My Hair Motifs
â8âUsing Creative Actualisation to Construct a Nigerian/British Womenâs Interpretation of Luke 7:35â50
â9âConclusion
âAcknowledgements
5 Yinka, Where Is Your Huzband? a Nigerian/British Womenâs Reading of the Samaritan Woman in John 4:1â42
â1âIntroduction: Familial Expectation and Pressure in Marriage
â2âRationale for Choosing This Pericope: Exploring the Hidden Depths of John 4
â3âAutobiographical Reflection: âOya, Bring Me a Drink Openerâ
â4âHistory of Interpretation: Hyperanalysis of Sexual History
â5âNigerian/British Cultural Reference: Lizzie Damilola Blackburnâs Yinka, Where Is Your Huzband?
â6âDominant Motifs within Yinka, Where Is Your Huzband?: External Familial Pressure, Internal Insecurities and Self-Hatred
â7âLenses into John 4 From Yinka, Where Is Your Huzband? Motifs
â8âUsing Creative Actualisation to Construct a Nigerian/British Womenâs Interpretation of the Samaritan Woman in John 4
â9âConclusion
6 Girl, Woman, Other: a Nigerian/British Womenâs Reading of the Daughter and Her Canaanite Mother in Matthew 15:21â28
â1âIntroduction: Mother/Daughter Intergenerational Relationships
â2âRationale for Choosing This Pericope: a Specific Focus on Ethnicity
â3âAutobiographical Reflection
â4âHistory of Interpretation: Binary Ethnic Identities
â5âNigerian British Cultural Reference: Bernadine Evaristoâs Girl, Woman, Other
â6âDominant Motifs within Girl, Woman, Other: Generational Differences between Mother and Daughter
â7âNew Lenses into Matthew 15:21â28 from Girl, Woman, Other Motifs
â8âUsing Creative Actualisation to Construct a Nigerian/British Womenâs Interpretation of Matthew 15:21â28
â9âConclusion
7 Butterfly Fish: a Nigerian/British Womenâs Reading of the Pythian Slave-Woman in Acts 16:16â21
â1âRetrieving a Forgotten Yoruba Epistemology
â2âRationale for Choosing This Pericope: a Forgotten Woman
â3âAutobiographical Reflection: Forgotten Cultural History
â4âHistory of Interpretation: Dominated by Western Epistemology
â5âNigerian/British Cultural Reference: Irenosen Okojieâs Butterfly Fish
â6âDominant Motifs within Butterfly Fish: Giving a Voice to Global South Epistemology
â7âNew Lenses into Acts 16:16â34 from Butterfly Fish Motifs
â8âUsing Creative Actualisation to Construct a Nigerian/British Womenâs Interpretation of Acts 16:16â34
â9âConclusion
8 Yoruba Girl Dancing: a Nigerian/British Womenâs Reading of Herodiasâs Daughter in Mark 6:17â28 and Matthew 14: 3â12
â1âHypervisibility and Embodied Knowledge
â2âRationale for Choosing Mark 6:17â28 and Matthew 14:3â12: Enhancing the Nigerian/British Womenâs Reading
â3âAutobiographical Reflection: to Be Nigerian/British Is to Dance
â4âHistory of Interpretation: Western Hypersexualised View of âOtheredâ Dance
â5âNigerian/British Cultural Reference: Simi Bedfordâs Yoruba Girl Dancing
â6âDominant Motifs within Yoruba Girl Dancing: Dance as Ritual in Yoruba Epistemology
â7âLenses into Mark 6 From Yoruba Girl Dancing Motifs
â8âUsing Creative Actualisation to Construct a Nigerian/British Womenâs Interpretation of Herodiasâ Daughter in Mark 6:17â28 and Matthew 14:3â12
â9âConclusion
âAcknowledgements
9 Conclusion: The Emergence of Afropean Biblical Studies
â1âPractical Implications
Bibliography Index of Ancient Sources Index of Modern Authors
This book will interest scholars, undergraduate and postgraduate students, ministers, and libraries in biblical studies, theology, feminist, and postcolonial studiesâparticularly those exploring decolonial Afro-diasporic approaches to the New Testament.