EUR €99.60EUR €83.00 excl. VAT
Harlequin in Marketplace Culture
Series:
Author:
Since the late 19th century, the stock characters of the commedia dell'arte, especially Harlequin, Pulcinella and Pierrot, have been making frequent appearances in the world of material and cultural artifacts, in such categories as the entertainment industry, the food market, politics and education. This book explores the manner in which commedia dell'arte characters and narratives have been instrumentalized to serve commodity marketing, political critique, the arts and cultural pedagogy. Some embodiments of commedia dell'arte demonstrate an extraordinary capacity for serious reflection, reaching out, from within the heart of popular culture, to aesthetic ideals and cognitive depth of a remarkable degree.
Domenico Pietropaolo, PhD 1981, is Professor Emeritus of Italian and Drama at the University of Toronto and a senior fellow of Massey College. His main research interests are Italian literature, commedia dell'arte, and Christianity and culture, fields in which he has published many articles and books.
Contents
Preface
Acknowledgements
List of Figures
1 Phantoms of Collective Effervescence Approaching commedia dell’arte in Popular Culture
2 Harlequin in the Marketplace and the Ecology of Images
3 Harlequin the Sleuth, the Clown and the Supervillain
4 Romance and Erotic Fantasies
5 Harlequin’s Wooden Brotherhood
6 From the Land of Pulcinella to the Republic of Harlequin
7 Harlequin in the Social Imaginary
Bibliography
Index
Preface
Acknowledgements
List of Figures
1 Phantoms of Collective Effervescence Approaching commedia dell’arte in Popular Culture
2 Harlequin in the Marketplace and the Ecology of Images
3 Harlequin the Sleuth, the Clown and the Supervillain
4 Romance and Erotic Fantasies
5 Harlequin’s Wooden Brotherhood
6 From the Land of Pulcinella to the Republic of Harlequin
7 Harlequin in the Social Imaginary
Bibliography
Index
This book is aimed at undergraduate and postgraduate students of popular culture, performance history, puppetry and commedia dell'arte. It will also be of interest to scholars of commodity aesthetics.