Conrad of Hirsau (c.1070 â c.1150) created the famous Trees of Vices and Virtues in De fructu carnis et spiritus, which he prepared before 1133 for illiterate lay brothers. This investigation provides an edition and translation of that work and defines its influential images. It also discovers the convoluted process through which Conrad developed that work into the Speculum virginum c.1140 â 1150 for religious women. This study reveals that Conrad composed that work for his two young women relatives who had entered the Andernach convent, that the autograph manuscript is British Library Arundel 44, and that Conrad himself rendered its numerous innovative pictures.
Cheryl Goggin, Ph.D. (1982), Indiana University, is Emerita Associate Professor of Art History at the University of Southern Mississippi. She has published on the Trees of Vices and Virtues and presented papers on Conrad of Hirsau and other medieval author-artists.
Matthew Ponesse, Ph.D. (2004), University of Toronto, is Professor of History at Ohio Dominican University in Columbus, Ohio. He has published critical editions, translations, and numerous articles on early medieval history, including Smaragdus of Mihielâs Via regia (Peeters, 2023).
List of Figures
Introduction
â1âIssues in the Scholarly Literature
â2âDiscoveries
â3âThe Pivotal Role of Conrad of Hirsauâs Trees of Vices and Virtues
â4âConclusion
1 Conrad of Hirsau
â1âThe Evidence of Trithemius
â2âPrimary Sources
â3âOther Secondary Sources
â4âResolution
â5âRelated Works
â6âEvaluation of Additional Information
â7âHirsau and Conrad
â8âConclusion
2 For Any Ignorant and New Lay Brother: De fructu carnis et spiritus
â1âThe First Edition
â2âThe Second Edition
â3âThe Third Edition
â4âExegesis
â5âAuthorial Theory
â6âThe Context of De fructu carnis et spiritus
â7âConclusion
3 For Matricularius R.: Dialogus-De fructu-Homo-Allocutio-De inquisitione
â1âThe First Edition
â2âThe Second Edition
â3âExegesis
â4âAuthorial Theory
â5âThe Context of Dialogus-De fructu-Homo-Allocutio-De inquisitione
â6âConclusion
4 For the Holy Virgins N. and N.: The Speculum virginum
â1âThe First Edition
â2âThe Author and the Recipients
â3âThe Second Edition
â4âExegesis
â5âAuthorial Theory
â6âConradâs Comments on the Use of the Text and Images
â7âThe Context of the Speculum virginum
â8âThe Relationship between De fructu carnis et spiritus and the Speculum virginum
â9âConclusion
Conclusion
Appendix A: The Chronology of Conrad of Hirsauâs Development of the Autograph Manuscript of the Speculum virginum
â1âFirst Phase
â2âSecond Phase
â3âThird Phase
â4âFourth Phase
â5âFifth Phase
â6âConclusion
Appendix B: The Characteristics of the Definitions of the Vices and Virtues that Are Missing from Conrad of Hirsauâs Autograph Manuscript of the Speculum virginum
Preface to the Edition of De fructu carnis et spiritus
â1âThe Manuscripts
â2âSpecial Characteristics of De fructu carnis et spiritus
â3âComparison to the Patrologia latina Edition
â4âConclusion
Edition and Translation
Diagrams
Sigla
Catalogue of Manuscripts
â1âDe fructu carnis et spiritus
â2âDialogus-De fructu-Homo-Allocutio-De inquisitione
â3âSpeculum virginum
Table of the Works of Conrad of Hirsau
Bibliography Index
Undergraduate and graduate medieval art history and medieval studies students, medieval art historians, medievalists, manuscript curators.