Between the third to seventh centuries of the common era, Jewish communities throughout the Eastern Mediterranean began to adorn their synagogues with figural illustrations inspired by the Hebrew Bible. Although the Bible had long been the cornerstone of Jewish life, it was only in late antiquity that its patriarchs, prophets, and heroes entered the Jewish visual lexicon. Through careful consideration of the rich history of Jewish biblical interpretation alongside similar motifs in Near Eastern, Greco-Roman, and Christian visual culture, this book challenges the reader to consider the relationship between late antique Jewish biblical art, synagogue rituals, rabbinic teachings, and exemplary paradigms.
Jill Joshowitz, Ph.D. (2023), New York University, is a scholar of Jewish visual culture. She has curated exhibitions for Jewish cultural institutions throughout North America, including the Rauh Jewish Archives and the Yeshiva University Museum.
Acknowledgements List of Figures and Tables Abbreviations
Introduction
â1âExemplars in Ancient Jewish Literary Texts
â2âVisual Exemplars in the Synagogue
â3âApproaches to Biblical Iconography in its Roman Context
â4âAesthetics and Donors
â5âApproaches to Text and Image
â6âProject Overview
1 Wisdom and Leadership: Competing Memories of Moses and the Red Sea Crossing
â1âMoses in Dura: Historical Context and Archaeological Discovery
â2âMosesâ Portrait Type in Dura: Wise Man and Teacher
â3âMosesâ Giant Dimensions: Heroism and Size in Late Antique Art
â4âMoses in Dura: Leading Agent of the Red Sea Crossing
â5âAlternative Memory Traditions in the Late Antique Galilee
â6âHuqoq: Visualizing the Red Sea Crossing Without Moses
â7âWadi Hamam: A Second Image of the Red Sea Crossing Without Moses
â8âLiterary Memories of the Red Sea Crossing
â9âExodus 14â15: Conflicting Memories of Human and Divine Agency
â10âInner-Biblical Memories of the Red Sea Crossing
â11âMinimizing Mosesâ Role in Second Temple Texts
â12âJubilees: Moses and the Red Sea
â13âPhilo: Moses and the Red Sea
â14âPseudo-Philo: Moses and the Red Sea
â15âJosephus and Moses: The Exception to the Rule
â16âMinimizing Mosesâ Role in Rabbinic Texts
â17âMosesâ Absence in the Late Antique Passover Haggadah
â18âRabbi Yehoshua and the Min: The Exception to the Rule
â19âMoses, Memory, and Exemplary Paradigms
2 Musical and Poetic Devotion: King David and the Lyre
â1âThe Biblical Origins of David as Musician in 1â¯Samuel
â2âBeyond the Kinnor: David as Musician and Poet in 2â¯Samuel and Amos
â3âDavid as Temple Musician in Chronicles and Ezra Nehemiah
â4âDavid and Psalms: Musical Poetry in Biblical and Second Temple Literature
â5âJosephus and David: Kinnor Playing Musician and Singer
â6âKinnor and Nebel in Second Revolt Coins
â7âKinnor and Nebel in Rabbinic Literature
â8âThe Lyre of David as Exemplar in Rabbinic Legend
â9âDavid as Musician in Late Antique Jewish Art
â10âDavid Playing the Lyre in the Dura Europos Reredos
â11âDavid as Possible Warrior-Musician in the Meroth Synagogue
â12âDavid as a Musician in Maiumas
â13âDavid, Orpheus, and Paideia in Late Antique Gaza
â14âImperial and Sacred Motifs in Davidâs Portrait at Maiumas
â15âApproaches to Genesis, David, and Late Antique Jewish Piety
3 Piety and Prayer: Daniel in the Lionsâ Den
â1âThe Biblical Context of Danielâs Prayer and the Lionsâ Den
â2âThe Ancient Near Eastern Context of Daniel and the Lionsâ Den
â3âDaniel as Pious Exemplar in Second Temple Literature
â4âDaniel as Prayer Exemplar in Late Antique Rabbinic Literature
â5âBiblical Paradigms for the Orans Motif in Late Antique Jewish Art
â6âFrom Kneeling to Standing: Changing Notions of Jewish Prayer
â7âDaniel and the Lionsâ Den in the NaÊ¿aran Synagogue
â8âDaniel in the Lionsâ Den in Susiya
â9âDaniel in the Lionsâ Den in Ê¿En Nashut
â10âDaniel in the Lionsâ Den in Sardis
â11âDanielâs Exemplary Legacy in Palestine and the Jewish Diaspora
â12âDanielâs Exemplary Legacy in Christian Funerary Art and Ritual
â13âBetween Judaism and Christianity: Nuances in Danielâs Exemplary Legacy
Conclusion
â1âLate Antique Jewish Exemplary Norms: From the Bible to the Talmud
â2âFilling in the Gaps: Exemplary Motifs Between Text and Image
â3âJewish Adaptation of Ancient Near Eastern and Greco-Roman Motifs
â4âLimitations of Analysis: Iconoclasm and the Vagaries of Time
â5âLate Antique Comparands: Roman and Christian
â6âThe Decline of Jewish Biblical Imagery in the Synagogue
Figures
Bibliography Index
Scholars, university students, and professionals working in the fields of Jewish Studies, Art History, Archaeology, and Religious Studies, as well as laypersons with strong interests in Jewish biblical interpretation.