Rhythmic Theories and Practices in Arabic and Persian Sources from the Tenth to the Fifteenth Century

Annotated Translation and Commentary

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The book deals with rhythmic theories and practices in Arabic and Persian sources from the 10th to the 15th century. Sources prior to the 10th century are summarized as a basis for the theories that follow from the 10th to the 15th century. They include the works of Ikhwān al-Ṣafāʾ, Ibn Sīnā, Ibn Zayla, al-Kātib, Ibn al-Ṭaḥḥān, al-Tīfāshī, and the ground breaking works of al-Urmawī with his novel circular notation that survived up to the 20th century. They also include the works of al-Marāghī who invented many long rhythmic modes, and the works of al-Shirwānī, al-Lādh9qī and Awbahī. The work summarizes the definition of all the rhythmic modes in alphabetical listing.

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George Dimitri Sawa, Ph.D. (1983), University of Toronto, independent scholar in Arabic music theory, performance and literature. He taught medieval, modern and sacred music at the University of Toronto and York and published eleven books and over seventy articles.
Acknowledgments
Abbreviations
Notational Symbols

1 Introduction

2 A Summary of Rhythmic Mode Theories and Definitions (Eighth to Tenth Century)

3 Ikhwān al-Ṣafāʾ

4 Ibn Sīnā

5 Ibn Zayla

6 Al-Kātib

7 Ibn al-Ṭaḥḥān

8 Al-Baṭaliawsī

9 Al-Tīfāshī

10 Al-Urmawī

11 Al-Urmawī’s Al-Sharafiyya

12 Al-Urmawī’s The Commentary of Mawlānā Mubārak Shāh on Kitāb al-Adwār

13 Quṭb al-Dīn al-Shīrāzī

14 Al-ʿUmarī

15 Ibn Kurr

16 Ḥasan Kāshānī

17 Al-Marāghī’s Commentary on the Adwār

18 Al-Marāghī’s Aims of Music

19 Al-Marāghī’s Encyclopedia of Music

20 Al-Shirwānī

21 Al-Lādhiqī

22 Awbahī

23 Summary of the Rhythmic Modes and Comparisons from Various Sources

24 Alphabetical Listing of the Rhythmic Modes

Epilogue

Glossary
Bibliography
Index of Names and Places
Index of Terms and Subjects
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