In the early modern Dutch Republic, plaster casts offered artists a way to overcome limitations of space and time, and to define themselves. This book presents the first comprehensive account of the impact of plaster casts on the artistic practice, intellectual endeavors, and social status of seventeenth-century Dutch painters.
These modest objects were, in fact, real works of sculpture, incorporated into a variety of compositions where they signalled an artistâs ambitions and technical virtuosity. Marginalized in the history of Dutch art, plaster casts lie at the center of this studyâs novel interpretations of paintings and drawings, paired with period sources.
Isabella Lores-Chavez, Ph.D. (Columbia University, 2022), is the Associate Curator of European Paintings at the Fine Arts Museums of San Francisco. She specializes in early modern Netherlandish art, with a focus on seventeenth-century Dutch paintings.
Acknowledgements List of Figures
Introduction
â1âLoss Redefined
â2âPlaster Casts in Renaissance Europe
â3âClassicism and Pedagogy in the Netherlands
â4âPlaster the Material
â5âPresence and Interaction
1 To Touch and Turn: the Plaster Cast and the Draftsmanâs Line
â1âSculpture in Two Dimensions
â2âThe Tête-à -Tête
â3ââDe Plyster Tekenaarsâ
â4âPlaster Turned to Line
â5âAttention and Devotion
2 Bodies naer het leven: Plaster Casts in Dutch Art Treatises
3 Encounters with Plaster in the Dutch Republic
â1âLabor around Plaster
â2âPleistergieters and Other Practitioners
â3âPlaster Casts in Dutch Homes
â4âArtistsâ Collections
â5âThe Multiplicity of Plaster Casts
4 Plaster Companions in the Self-Fashioned Painterâs Studio
â1âConversant in Plaster Casts
â2âThe Recurring Plaster Cast
â3âAt Home in the Studio
â4âPictura Outfitted
â5âThe Distinguished Dutch Painter
5 Plaster Casts and the Ambitions of Still Life
â1âPieter Claesz and the Splintertrecker
â2âThe Vanitas and the Plaster Bust
â3âThe Craft of Duplication
â4âArtistic Lineages
â5âThe Painter-Collector
â6âLiving Plaster
Conclusion: Absence and Restoration Appendix: Plaster Casts in Dutch Paintings, 1600â1750 Notes Bibliography Index
Researchers studying the relationship between painting and sculpture, especially in Dutch art, scholars working on liveliness and sensorial engagement, and readers interested in interdisciplinary approaches. Keywords: painting, sculpture, drawing, antiquity, Renaissance, Netherlands, Italy, artisan, tacit knowledge, labor, still life, humanism, practice, copies, liveliness, encounter, the senses, amateur, connoisseur, training, workshop, pedagogy, materiality, interaction, Karel van Mander, Samuel van Hoogstraten, Willem Goeree, Gerrit Dou, Pieter Claesz, David Bailly.