Copyright Law and Streaming

A Comparative Law Analysis of Lawful and Unlawful Streaming Services

Series: 

On the internet, music, films and TV shows are now just a few clicks away, readily available for listening or viewing. While piracy websites and file-sharing software initially disrupted the entertainment economy, the streaming technology has since been embraced by new operators, from Spotify to Netflix, providing an unprecedented abundance of cultural content.
Copyright laws around the world have addressed the many issues brought about by streaming services, whether lawful or not, ranging from copyright enforcement, artists’ remuneration to liability of video-sharing platforms and cultural diversity. This book presents an extensive comparative analysis of legislative and judiciary efforts to adapt to this technological and cultural revolution.
Copyright Year:
2025
E-Book (PDF)
Availability:
Published
ISBN:
978-90-04-71152-5
Publication:
19 May 2025
Hardback
Availability:
Published
ISBN:
978-90-04-71150-1
Publication:
15 May 2025
Cover Copyright Law and Streaming

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Séverine Dusollier is Professor of Intellectual Property at Sciences Po Law School and a Senior Member of the Institut Universitaire de France. Her publications and research study copyright, digital technologies and practices of creation from a critical perspective.
Legal Perspectives on the Streaming Economy – a Comparative Report
 Séverine Dusollier
Questions Juridiques de L’economie du Streaming – Droit Compare
 Séverine Dusollier
The Harmonized Law of Streaming in the EU – a Copyright and Related Rights Perspective
 Martin Senftleben
Le Streaming À La Belge : Vers une Protection Renforcée des Auteurs Et Artistes-Interprètes ?
 Julien Cabay
Copyright and Streaming in the Republic of Croatia
 Romana Matanovac Vučković
Copyright and Streaming in the Czech Republic
 Pavel Koukal and Matěj Myška
Copyright and Streaming in Denmark
 Thomas Riis
Le Streaming en Droit Français
 Valérie-Laure Benabou
Copyright and Streaming in Germany
 Dr. Christina Möllnitz
Copyright and Streaming in Hungarian Copyright Law
 Péter Mezei and Barna Arnold Keserű
Copyright and Streaming in Italy
 Margherita Colangelo
Copyright and Streaming in Poland
 Beata Giesen and Kamil Pabian
The Regulation of Streaming Platforms in Portugal: a Copyright Study With a Touch of Media Law
 Tito Rendas
Copyright and Streaming in Spain
 Miquel Peguera and Vanesa Jiménez-Serranía
Copyright and Streaming – a UK Perspective
 Hayleigh Bosher
Copyright and Streaming in Turkey
 Gül Okutan Nilsson, Eda Çataklar and Zeynep Ülkü Kahveci
Streaming, Copyright and Creators: a Canadian Perspective
 Graham Reynolds
Copyright and Streaming in the United States
 Irene Calboli
The Streaming Economy: a Brazilian Perspective
 Sérgio Branco
Droit D’auteur et Streaming au Burkina Faso
 Tonssira Myriam Sanou
Copyright and Streaming in Australia
 Jacob Flynn and Rebecca Giblin
Copyright and Streaming in New Zealand
 Cody Rei-Anderson and Susy Frankel
Copyright and Streaming in Japan
 Tetsuya Imamura
Copyright and Streaming in Vietnam
 Nguyen Phuong Thao

Index
Copyright law scholars, practising lawyers, Collective management organisations, Authors and Performers unions or associations, music industries stakeholders
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Publisher:
Brill | Nijhoff
Language:
English
DOI:
https://doi.org/10.1163/9789004711525

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