Racial passing has fascinated thousands of American readers since the end of the nineteenth century. However, the phenomenon of Jews passing as gentiles has been all but overlooked. This book examines forgotten novels depicting Jewish Americans masquerading as gentiles. Exploring two "waves" of publications of this subgenreâin the 1940s-1950s and 1990s-2000sâthis book raises questions about the perceptions of Jewish difference during these periods.Looking at issues such as Whiteness, Americanness, gender, and race, it traces the changes in the representation of Jewish identity during the second half of the twentieth century and the beginning of the new millennium. Ohad Reznickâs Imagined Non-Jews is an important intervention in the scholarship on the literature of passing. This book also makes a significant contribution to Jewish American literary studies through thoughtful close readings of texts from the 1940s and 1950s, many of them little-known today, as well as multi-ethnic American fiction from the turn-of-the-21st-century, all of them featuring characters who conceal their Jewishness in order to pass for gentile. âLori Harrison-Kahan, Boston College, author of The White Negress: Literature, Minstrelsy, and the Black-Jewish Imaginary
Ohad Reznick, Ph.D., is an Assistant Professor at the University of Virginia where he teaches Hebrew and Israeli literature and cinema. His essays appear in Critique: Studies in Contemporary Fiction, LIT: Literature Interpretation Theory, and MELUS.
Acknowledgements
Introduction: Two âWavesâ of Jewish Passing Novels
Part 1 White Lies: Passing for Non-Jewish in Postwar American Fiction
âIntroduction to Part 1
1âPassing: Motives, Techniques, and Outcomes
â1âMotives: To Be Past Caring or Caring about the Past
â2âTechniques of Passing and the Rejection of Jewish Difference
â3âOutcomes: Many Happy Returns
2âFifty Shades of White
3âResolving the Tension between Two Identities
4âFeminine Males and Marginalized Females
5âArt as Mirroring Identity: The Insincerity of Passing
â1âWasteland: The Camera Cannot Lie
â2âHome Is the Hunted: Depicting Uncultivated Jews
â3âThat Winter: An Open Book
â4ââThe Lady of the Lake:â Con Artists
Part 2 Between Fiction and Reality: Passing for Non-Jewish in Multicultural American Fiction
âIntroduction to Part 2
6âPassing: Motives, Techniques, and Outcomes
â1âMotives: Avoiding Anti-Semitism and the Memory of the Holocaust
â2âPassing Techniques: Performance of Non-Jewishness
â3âOutcomes: Indefinite Identities
7âAlmost White but Not Quite American
8âFluid Gender and Jewish Identities
9âPassing as Fiction: Questioning the Line between True and False Identity
â1âFamily Fictions: Fiction Becomes Reality
â2âOld School: Questioning the Boundaries of Plagiarism and Identity
â3âThe Boy Who Loved Anne Frank: Destabilizing Identities through (Auto)Biographies
âEpilogue: The Human Stain and Jewsâ Precarious Whiteness in the Twenty-First Century
Works Cited
Index
Students and scholars of Jewish American literature.