Moving beyond the neurohype of recent decades, this book introduces the concept of worlding as a new way to understand the inherent entanglement of brains/minds with their worldly environments, cultural practices, and social contexts. Case studies ranging from film, literature, music, and dance to pedagogy, historical trauma, and present-day discourses of mindfulness investigate how brains are worlded in an active interplay of biological, cognitive, and socio-discursive factors. Combining scholarly work with personal accounts of neurodiversity and essays by artists reflecting on their practical engagement with cognition, Worlding the Brain makes a case for the distinctive role of the humanities and arts in the study of brains and cognition and explores novel forms interdisciplinarity.
Stephan Besser (PhD University of Amsterdam, 2009), is assistant professor in literary studies and modern Dutch literature at the University of Amsterdam. He is the author of Pathographie der Tropen: Literatur, Medizin und Kolonialismus um 1900 (2013).
Flora Lysen (PhD University of Amsterdam, 2020), is assistant professor in science and technology studies at Maastricht University. She is the author of Brainmedia: One Hundred Years of Performing Live Brains, 1920-2020(2022).
List of Illustrations
Notes on Contributors
Introduction: Together again, Apart
âStephan Besser and Flora Lysen
Part 1: Worlded Brains
1 âWorldingâ the Brain through the Cultural Practice of Rhetorical memoria
âMichael Burke 2 The Mediated Brain
âA Case Study on Experiential Engagement with Cinematic Form âJoerg Fingerhut 3 Getting a Kick out of Film
âAesthetic Pleasure and Play in Prediction Error Minimizing Agents âMark Miller, Marc Anderson, Felix Schoeller and Julian Kiverstein 4 Transgenerational Trauma and Worlded Brains
âAn Interdisciplinary Perspective on âPost-Traumatic Slave Syndromeâ âMachiel Keestra 5 Beworldered
âAn Autobiographical Inquiry of Epileptic Being âTrijsje Franssen 6 Pedagogy and Neurodiversity
âExperimenting in the Classroom with Autistic Perception âHalbe Kuipers
Part 2: Narrative Entanglements
7 Personification as Ãlanification
âAgency Combustion and Narrative Layering in Worlding Perceived Relations âMarco Bernini 8 Cognitive Formalism
âOr, How Presence Machines are Built âKarin Kukkonen 9 âWatchman, What of the Night?â
âReading Uncertainty in Djuna Barnesâs Nightwood âShannon McBriar 10 The Unfolding Now
âNarrative Sense-Making from a Neurocinematic Perspective âPia Tikka and Mauri Kaipainen
Part 3: Figuring the Brain
11 Set and Setting of the Brain on Hallucinogen
âPsychedelic Revival in the Acid Western âPatricia Pisters 12 Modeling the Model
âReflections on a 10-Year Documentary about the Blue Brain Project âNoah Hutton 13 A Monk in the Office
âMindfulness and the Valuation of Popular Neuroscience âTies van der Werff 14 Figuring Thought
âBetween Experience and Abstraction âKsenia Fedorova
PART 4: Shared Patterns and Discordant Worlds
15 Circulating Neuro-Imagery A Trilogue
âAntye Guenter, Flora Lysen, and Alexander Sack 16 What Have the Arts and Humanities Ever Done for Us?
âDisruptive Contributions and a 4E Cognitive Arts and Humanities âMichael Wheeler 17 Measuring Acoustic Social Worlds
âReflections on a Study of Multi-Agent Human Interaction âShannon Proksch, Majerle Reeves, Michael Spivey and Ramesh Balasubramania 18 Harmonic Dissonance: Synchron(icit)y
âA Case Study of Experimentation at the Intersection of the Arts and Sciences âSuzanne Dikker and Suzan Tunca 19 Thanks for Sharing
âLocal Worlds, Xeno-Patterning, and Predictive Processing âStephan Besser
Index
All those interested in science studies, cognitive science, neuroscience, neuroaesthetics, neuroculture, literary studies, cultural analysis, media studies, performance studies, film studies, interdisciplinarity, art-science exchange