âLines of Force" can mean more than the literal marks on a page, including conceptual and symbolic meaningsâlines of influenceâwhich manifest in the perspectives and approaches of different fields. Authors illuminate the natural, mechanical, emotional, technical, stylistic, spiritual, and architectural through new archival finds, valid comparisons, finite analysis of the drawings, and historiography. Gleaning new and important understanding about the artist from these essays, Leonardo is revealed to be forever relevant in the history of art through his legacy and influence.
Constance Moffatt, Ph.D. (1992), is co-editor-in-chief of Leonardo Studies, Professor emerita of Art History. MA in Medieval History, University of Notre Dame; MA and Ph.D. in Art History at UCLA with Carlo Pedretti. Her research interests concern Leonardo da Vinci, the history and architecture of Milan, and the art of Sforza politics.
Sara Taglialagamba, Ph.D. (2009) is co-editor-in-chief of Leonardo Studies, director of the New Rossana and Carlo Pedretti Foundation, and assistant professor in the History of Science at the University of Urbino. She publishes widely on Leonardo topics. Recently, she was awarded a â¬200,000 grant to digitize the fragments of the Codex Atlanticus.
Art historians, historians of science, libraries, Leonardo da Vinci specialists , Renaissance history. Keywords: Faraday, Maxwell, traffic, John the Baptist, Leda, Borgia, Virgin of the Rocks, Zaccolini, Chambord, hydraulics, hydrostatics, geometry, Elmer Belt Library, gravity, canals, Milan, treatise on painting.