Iacopone da Todi

The Power of Mysticism and the Originality of Franciscan Poetry

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The first ever collection of essays in English on Iacopone da Todi by a diverse group of international scholars, this book offers a contemporary critical assessment on this medieval Franciscan poet of the thirteenth century.
Combining philological analyses with thematic studies and philosophical and theological interpretations of the original contents and style of Iacopone’s poetry, the collection considers a wide range of topics, from music to prayer and performance, mysticism, asceticism, ineffability, Mariology, art, poverty, and the challenges of translation. It is a major contribution to the understanding of Iacopone’s laude in the 21st century.
Contributors are Erminia Ardissino, Alvaro Cacciotti, Nicolò Crisafi, Anne-Gaëlle Cuif, Federica Franzè, Alexander J.B. Hampton, Magdalena Maria Kubas, Matteo Leonardi, Brian K. Reynolds, Oana Sălișteanu, Samia Tawwab, Alessandro Vettori, Carlo Zacchetti, and Estelle Zunino.

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Matteo Leonardi, Ph.D, (2005), Università di Torino & Università di Trento, is a specialist of medieval literature. He published the first complete edition of Iacopone’s Laude (2010), the Bibliografia iacoponica (2010), Bonvesin da la Riva’s Libro delle tre scritture (2014), and Storia della Lauda, secoli XIII-XVI (2021).
Alessandro Vettori, Ph.D. (1995), Yale, is Professor of Italian and Comparative Literature at Rutgers University. He specializes in medieval Franciscan writers (Poets of Divine Love, 2004), the rewriting of scripture (Giuseppe Berto, La passione della scrittura, 2013), and Dante (Prayerful Pilgrimage, 2019).
List of Figures and Tables
Notes on Contributors

Introduction: Inside the Hood of the Mendicant: Iacopone’s Hidden Face

PART 1: Style, Rhetoric, Music, and the Construction of Poetic Identity



1 Poetry as Prayer in Iacopone’s Laude
 Erminia Ardissino
2 Medieval Self-Fashioning: Performances of Personality and Authority in Iacopone and Dante
 Nicolò Crisafi
3 “O novo canto, c’ài morto el planto de l’omo enfermato!”: The Musical Spirit of Iacopone’s Laudario and the Development of a New Italian Melody
 Federica Franzè
4 Educating, Enlightening, Edifying: Iacopone Da Todi’s Intellectual Journey
 Estelle Zunino

PART 2: Translation, Transformation, Adaptation



5 Ineffability and the Urgent Need to Tell: Comparing Four Twentieth-Century Translations of Laudas
 Magdalena Maria Kubas
6 Translating Iacopone da Todi in Romanian: a Noble Journey toward and inward amor d’esmesuranza
 Oana Sali?teanu

PART 3: The Language of Mysticism, Asceticism, and Marian Devotion



7 “Prindi da me dolcezza …”: Sweetness as a Principle of Asceticism and Salvation in the Laude of Iacopone Da Todi
 Anne-Gaëlle Cuif
8 Rhythm and Poetic Mysticism in the Laude of Iacopone Da Todi
 Alexander J. B. Hampton
9 “Sapor de Sapïenza”: Spiritual Senses and Body of the Spirit in Iacopone’s Laude
 Matteo Leonardi
10 The Marian Laude of Iacopone da Todi: Tradition and Renewal
 Brian K. Reynolds
11 Victorine Traces in Iacopone’s Laude
 Carlo Zacchetti

PART 4: The Many Forms of Franciscanism



12 Francis of Assisi and Franciscanism in the Laudario of Iacopone da Todi
 Alvaro Cacciotti
13 Image and Performance in Iacopone’s Laudario: the Case of Lauda 78, “Un arbore è da Deo plantato”
 Samia Tawwab
14 In Sickness and in Health: Iacopone’s Mystical Marriage through Malady
 Alessandro Vettori

Index
All interested in Medieval Italian poetry, Franciscan Studies, the intersection of poetry and prayer, the interconnections of Christianity and the Bible with poetic expression, music, and performance.
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