The Fractured Jew

An Exploration of Modern Jewish Ontology via Identities in Popular Culture

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Historically Judaism has been called both a nation and a religion, yet there are those Jews who eschew the religious and national definitions for a cultural one. For example, while TV’s Mrs. Maisel is ostensibly a Jew, the actor playing her is not, and Mrs. Maisel’s actions are not always Jewish. In The Fractured Jew Joel West separates Judaism into phenomenological and performative, starting with popular portrayals of Jews and Judaism, in today’s media, as a jumping-off point to understand Judaism and Jewishness, not from the outside, but from the emic, internal, Jewish point of view.

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Joel West is a Ph.D. student at the University of Toronto, studying the philosophy of cognitive science and the science of mind. His academic work is eclectic and ubiquitous, having published papers covering such topics as Bernie Madoff’s Ponzi scheme, understanding gender in Isaac Bashevis Singer’s short story Yentl the Yeshiva Boy, and The Sign of the Joker: The Clown Prince of Crime as a Sign (Brill, 2020).
Preface and Acknowledgements
 What This Book Is Not
Abstract
Keywords
 Introduction
 1 Who or What Is a Jew?
 2 A Fractured Framework: Trauma, Identity, Ethnicity
 3 Diachronic Denominationally Jewish
 4 North American Semiotics: Jew, Jewish or Judaism as a Sign
 5 North American Jews: Alienations
 6 North American Jews: Denominations as History
 7 Preforming Jew, Jewish, Judaism
 8 The Jew Is a Joke—Internalized Antisemitism
 Conclusion
 References
 Index
Readership includes lay readers interested in Judaism and Jewish culture, the differences between Jewish Culture and Religion, those who are interested in Jewish theology, popular culture, anthropological studies in Judaism, anthropological studies in popular culture, those interested in television, those interested in antisemitism studies.
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