This book offers a novel approach to the history of high culture and new perspectives on the history of civil society in provincial Germany. It makes the concept of place a central means for understanding how art culture was defined, consumed, and, importantly, distributed over the course of the long nineteenth century. It shows how âtemples of cultureâ come to be built where they were built. It further demonstrates who participated in their planning, funding, construction, and ultimate evolution into public institutions, highlighting underexamined links between the history of art culture and that of urban history and civil society.
Margaret Eleanor Menninger, Ph.D (1998), Harvard University, is Associate Professor of History at Texas State University and Executive Director of the German Studies Association. Her most recent co-edited book is The Total Work of Art: Foundations, Articulations, Inspirations (Berghahn, 2016).
Acknowledgements List of Illustrations Abbreviations
Introduction
âPart 1: Cultural Philanthropy on Stage
âPart 2: Cultural Philanthropy for Show
âPart 3: Cultural Philanthropy Unresolved
part 1: Cultural Philanthropy on Stage
Introduction to Part 1
1 Theater in the Second City
â1âTheatrical and Operatic Leipzig before 1766
â2âBuilding on the Edge: The Theater on the Rannstadt Bastion
â3âLocal Control â the Komödienhaus Becomes the Stadttheater
2 Pride and Scandal: Creating a Municipal Theater
â1âTransitions and Revolutions
â2âMoney Talks: Financing and Building the âNeues Theaterâ
â3âFighting Out in the Open: Scandal and Ruin
â4âAccess Means Control: Intragovernmental Conflict
part 2: Cultural Philanthropy for Show: Museums
Introduction to Part 2
3 Kunstkammer â Kunstverein â Kunstsmuseum: The City Art Museum
â1âKeeping Up with the Augustiner: Leipzig vs. Dresden and the Formation of the Leipziger Kunstverein
â2âThe Business of Fancy: The Kunstverein and Leipzigâs Economic Elites
â3âFraming the Art: Building a Museum
4 Art, Commerce, and a Global Presence: The Grassi Museum
â1ââLeipzig kommt!â Becoming a GroÃstadt
â2âWindfall: The Grassi Bequest
â3âAesthetics and Commerce: The Applied Arts Museum
â4âThe Museum für Völkerkunde: Consuming the World
â5âMunicipal Museums and Leipzigâs Self-Representation as an âArt Cityâ
part 3: Cultural Philanthropy Unresolved: Musikstadt Leipzig
Introduction to Part 3
5 Ensemble Players: The GroÃes Concert and Musical Life in Leipzig before 1850
â1âThe GroÃes Concert and the Origins of the Gewandhaus Orchestra
â2âBecoming the Orchestra in the Gewandhaus
â3âMusical Networks
â4âRise to Fame: The Gewandhaus to Mid-Century
6 Excellence and Exclusivity: A New Concert Hall and Local Challenges
â1âDisharmony and Its Discontents
â2âMoney and Land: The Campaign for a New Concert Hall, 1860â1884
â3âExclusivity Challenged: Big-City Politics, Rival Associations, and the Debate about a Second City Orchestra, 1890 to the End of World War One
Coda Bibliography Index
This book is aimed at academic audiences in history, musicology, art history, theater history, urban studies, and specialists in arts funding.