Scholars have long noted the strikingly visual aspects of Statiusâ poetry. This book advances our understanding of how these visual aspects work through intertextual analysis. In the Thebaid, for instance, Statius repeatedly presents âvisual narrativesâ in the form of linked descriptive (or ekphrastic) passages. These narratives are subject to multiple forms visual interpretation inflected by the intertextual background. Similarly, the Achilleid activates particularly Roman conceptions of masculinity through repeated evocations of Achillesâ blush. The Silvae offer a diversity of modes of viewing that evoke Roman conceptions of gender and class.
Christopher Chinn, PhD (2002), University of Washington, is Associate Professor of Classics at Pomona College (Claremont, CA, USA). He has published numerous articles and chapters on Imperial Latin literature, especially Statius and Pliny.
"the book will be of great interest to scholars with an interest in Statius generally, visuality, and the culture of viewing in Flavian Rome." Samuel Douglas in BMCR (2023.03.07).
Introduction: Statius and the Visual
â1âEkphrasis
â2âTheories of Vision
â3âStatius and Vision
1 Statiusâ Catalogue and Tragic Visuality
â1âAeschylusâ Shield Scene
â2âStatius and Aeschylus
â3âVisual Responsion in Statiusâ Catalogue
â4âStatius and Euripides
â5âThe Female Gaze in Statiusâ Catalogue
â6âStatius and Athenian Tragedy
2 Statiusâ Catalogue and Epic Visuality
â1âVisual Prologues
â2âStrategies of Sequencing
â3âStatius and the Homeric Catalogue of Ships
â4âStatius and Vergilâs Catalogue of Italians
â5âStatiusâ Murals: Hippomedon
â6âStatiusâ Murals: Capaneus
â7âVergil and Homer in Statiusâ Catalogue
3 Ekphrasis, Adultery, and Metanarrative
â1âVulcanâs Workshop
â2âHarmoniaâs Necklace
â3âVenusâ Speech
â4âThe Temple of Mars
â5âThe House of Sleep
â6âNarrative Implications
â7âVisual Implications
4 Statiusâ Shields
â1âThe Shield of Theseus
â2âTheseusâ Shield, Crete, and the Aeneid
â3âTheseusâ Shield, Bulls, and Catullus
â4âTheseusâ Shield and Visuality
â5âThe Shield of Crenaeus
â6âIsmenos and the Thebaid
â7âVision and Crenaeusâ Shield
â8âVisualizing Epic
5 Achillesâ Blush
â1âSeneca and Others on the Blush
â2âIn Chironâs Cave
â3âAchilles Sees Deidamia
â4âAchilles Transformed
â5âArms and the Boy
â6âThe Anger of Achilles
â7âReading the Blush
6 Silvae 1.1 and the Visuality of Empire
â1âEpic Visuality
â2âDivine Artistry
â3âIllusion
â4âHuman Artistry
â5âThe Visuality of Empire
â6âConclusion
7 Silvae 4.6 and the Visuality of Satire
â1âEkphrastic Satire?
â2âColossus and âColossusâ
â3âEpigram at the Table
â4âEpic Visuality, Again
â5âConclusion
8 Visualizing the Good Life: the Villa Poems
â1âStatius and Horace: Silv. 1.3
â2âSilvae 2.2: Lyric Visuality
â3âSilv. 2.2: Epic Visuality
â4âConclusion
9 Statius and the Erotic Gaze
â1âThe Bath of Claudius Etruscus
â2âThe Tree of Atedius Melior
â3âConclusions
Conclusion: Statiusâ Visual Poetics
â1âThebaid
â2âAchilleid
â3âSilvae
â4âDracontius and the Deviant Viewer
â5âClaudian and the Adultery Metanarrative
â6âThe Achilleid in Claudian and Dracontius
â7âAusonius and the Silvae
Bibliography Index
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