Repetition, Communication, and Meaning in the Ancient World

Orality and Literacy in the Ancient World, vol. 13

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Volume Editor:
This edited volume, arising from the 2019 conference “Orality and Literacy: Repetition,” explores some of the many forms and uses of repetition, in poetry, philosophy, and inscriptions, from Homeric epic through the Latin novel and the Gospels to reception in the twentieth century. All human communication depends on repeating signs that are comprehensible to the speaker and the addressee. Yet “repetition” takes many specific forms, in different performance contexts, time periods, and literary genres. Repetition may operate within one utterance, or across several times, places, and artists. The relationship between two repeated utterances cannot always be determined with certainty. But repetition offers exciting ways to understand the communicative process in oral and literate contexts across the ancient world.

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Deborah Beck is Associate Professor in the Department of Classics, University of Texas at Austin. She received her M.A. and Ph.D. from Harvard University in 1997. Her most recent book is Speech Presentation in Homeric Epic (2012).

Contributors are: Justin Arft, Cassandra M. Donnelly, William Duffy, Alexander Forte, Xavier Gheerbrant, Hanna Golab, Françoise Létoublon, Elizabeth Minchin, Thomas J. Nelson, Peter A. O’Connell, Raymond F. Person, Jr., Ruth Scodel, Niall W. Slater, Rodrigo Verano.
''[T]he volume offers interesting and mind-broadening prompts. Homeric scholars will take advantage of the problematization of the category of “repetition” in an oral context, especially in the opening papers, and will be pleased to re-encounter Homer at the end, re-discussed in the light of modern (and unusual) performances thanks to Duffy’s and Minchin’s contributions. Each paper is clearly structured and completed by copious and recent bibliography.'' Ombretta Cesca, in Bryn Mawr Classical Review (06.2022)
Preface
Notes on Contributors

Introduction
 Deborah Beck

1 Repetition or Recurrence? A Traditional Use for ἄνδρεσσι μελήσει in Archaic Greek Poetry
 Justin Arft

2 Enumeration and Embodiment in Homeric Repetition
 Alexander Forte

3 Odysseus’ Scar Once More: Repetition, Tradition and Fiction in the Story of Odysseus’ Hunting in the Mountains of Parnassus
 Françoise Létoublon

4 Repetition, Sortition, and Abbreviations in the Cypro-Minoan Script
 Cassandra M. Donnelly

5 Repeating the Unrepeated: Allusions to Homeric Hapax Legomena in Archaic and Classical Greek Poetry
 Thomas J. Nelson

6 Repetition and the Creation of “Sappho”
 Peter A. O’Connell

7 Repetition, Disanalogy, and Reflexivity in Hesiod’s Theogony: About the Fate of the Cyclopes, of the Hundred-Handers, and of the Children of Iapetus
 Xavier Gheerbrant

8 Reperformance, Writing, and the Boundaries of Literature
 Ruth Scodel

9 Other-Initiated Repetition and Fictive Orality in the Dialogues of Plato
 Rodrigo Verano

10 Repetition, Improvisation, and Parody: Eumolpus Re-takes Troy in Petronius’s Satyrica 83–90
 Niall W. Slater

11 Oral Prayer Patterns in Epigraphic Songs to Asklepios
 Hanna Golab

12 Harmonization in the Pentateuch and Synoptic Gospels: Repetition and Category-Triggering within Scribal Memory
 Raymond F. Person, Jr.

13 “Godlike” Grappling: Professional Wrestling as a Model for the Shifting of Epithet Significance in Oral Poetry
 William Duffy

14 The Creation of a Storyrealm: The Role of Repetition in Homeric Epic and Alice Oswald’s Memorial
 Elizabeth Minchin

Index
Specialists in both the relevant subject areas and in related areas (Classical literature, Greek philosophy, ancient Greek religion, Biblical studies, reception studies); students in the relevant subject areas.
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