Green Matters offers a fascinating insight into the regenerative function of literature with regard to environmental concerns. Based on recent developments in ecocriticism, the book demonstrates how the aesthetic dimension of literary texts makes them a vital force in the struggle for sustainable futures. Applying this understanding to individual works from a number of different thematic fields, cultural contexts and literary genres, Green Matters presents novel approaches to the manifold ways in which literature can make a difference. While the first sections of the book highlight the transnational, the focus on Canada in the last section allows a more specific exploration of how themes, genres and literary forms develop their own manifestations within a national context. Through its unifying ecocultural focus and its variegated approaches, the volume is an essential contribution to contemporary environmental humanities.
Maria Löschnigg is Professor of English at the University of Graz, Austria. She has published monographs on Canadian literature and British drama, co-edited books on literature and migration, and on contemporary epistolary writing. Her articles focus on a wide range of fields, including ecocritical issues such as Canadian ecopoetry, Native ecologies and Nigerian petro-literature.
Melanie Braunecker is a PhD candidate at the Karl Franzens University of Graz, Austria, and a high school teacher of Latin and English in Klagenfurt, Austria. Her PhD project focuses on literary representations of Canadaâs oil/tar sands.
âNotes on Contributors
Part 1: Introduction and Theoretical Frame
â1Introduction to the Volume
ââMelanie Braunecker and Maria Löschnigg
â2The Function of Literature in Environmental Discourses
ââMaria Löschnigg
â3Literature and/as Cultural Ecology
ââHubert Zapf
Part 2: Literature and the Environment: Past and Present
â4Representing the Environment in Victorian, Modern, and Postcolonial Fictions: Three Maritime Canadian Novels
ââDavid Creelman
â5âOn the Edge of Humanismâ: Travel Writing at the Intersection of Environmental Concerns
ââHalia Koo
â6James Joyceâs Ulysses: Vampires, âFake Newsâ, and the Approaching Global Environmental Hunger Crisis
ââBonnie Roos
Part 3: New Approaches to Climate Fiction
â7Cli-Fi â Genre of the Twenty-First Century? Narrative Strategies in Contemporary Climate Fiction and Film
ââAxel Goodbody
â8Western American Cli-Fi: The Biosemiotics of Ecophrasis
ââAlex Hunt
â9Allegory and Human Nature in Ian McEwanâs Solar
ââJohannes Wally
â10Un/doing Climate Change in Alexis Wrightâs The Swan Book and Ellen van Neervenâs âWaterâ
ââIva Polak
â11Abject Permanence: Apocalyptic Narratives and the Horror of Persistence
ââHeather DuncanandEleanor Gold
Part 4: Creative Criticism
â12Imagination and the Eco-social Crisis (or: Why I Write Creative Non-fiction)
ââJulia Martin
â13âWhen we walked on the backs of fishâ: A Writerâs Environmental Path in the Creation of Multi-dimensional Narratives
ââMarilyn Bowering
â14The Multi-genre Multimedia Disjunctive Poetic Narrative Dream Text: âNew Epicâ Attentions in Contemporary Canadian Experimental Writing
ââDi Brandt
Part 5: Special Focus: Canadian Contexts
â15Native Knowledge Systems and the Cultural Ecology of Literature
ââMaria Löschnigg
â16Climate Change Drama across Time and Space: Chantal Bilodeauâs Forward (2016)
ââNassim Winnie Balestrini
â17The Lure of Fast Money: Staging Fort McMurray
ââMelanie Braunecker
â18carried away on the crest of a wave â A Play of Hope by David Yee
ââAlbert Rau
â19Where the Wild Things Are: The Role of Animals in Canadian Schoolbooks
ââClaire E. Smerdon
â20Two Tragic Tales of Ursus canadensis: Animal Perspectives in Charles G.D. Robertsâ The Heart of the Ancient Wood and Antonine Mailletâs LâOursiade
ââKonrad Gro
âIndex
Scholars and students in the humanities as well as general readers interested in the manifold intersections between creative writing and environmental concerns and in literatureâs contribution to cultural change.