Chapter 9 Allegory and Human Nature in Ian McEwanâs Solar
In: Green MattersSearch for other papers by Johannes Wally in
Current site
Google Scholar
PubMed
Purchase instant access (PDF download and unlimited online access):
Purchase instant access (PDF download and unlimited online access):
In 2010, Ian McEwan published the novel Solar. Although it was praised as the first major novel to âtackle global warming successfullyâ (Cohen 2010: online), most reviews were rather negative. One reason for such reviews might lie with the novelâs narrative structure. Solar is untypical of a novel about global warming. Whereas most novels concerned with ecological crisis head towards a climax of ecological disaster, Solar presents readers with a catastrophe on a micro-scale. It tells the story of Michael Beard, an insatiate scientist, who allegorically represents humanity in general: he is an everyman, greedy and egotistic, yet not all bad and capable of something great. Hence, rather than a novel about global warming, Solar is a novel about human nature, which specifically poses two questions: (i) is human nature stable or changeable and (ii) are human beings cognitively equipped to answer this question. This article traces how these philosophical concerns are developed in Solar. Thereby, it also analyzes whether the novelâs epistemological and ontological concerns combine to produce a subtle ethical imperative â an imperative, which was perhaps another reason why Solar was received poorly by some critics.