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Conradâs Drama: Contemporary Reviews and Observations collects both book reviews and performance reviews of Conradâs three plays: The Secret Agent, One Day More, and Laughing Anne. These reviews and observations show how Conradâs plays were received by his contemporaries. More than this, however, Conradâs Drama reveals the larger conversations surrounding his plays: the state of British drama in the early 20th century, the role the drama critic has in a playâs reception, and the difficulty most fiction writers experience in trying to write for the stage. No other reference work exists for those studying Conradâs plays, and this volume should prove to be an indispensable reference work for those working on this topic.
Conradâs Drama received an Honorable Mention in the Joseph Conrad Society of Americaâs Adam Gillon Book Prize in Conrad Studies for books published 2018-2020.
Conradâs Drama received an Honorable Mention in the Joseph Conrad Society of Americaâs Adam Gillon Book Prize in Conrad Studies for books published 2018-2020.
John G. Peters, a University Distinguished Research Professor at the University of North Texas, has published widely on Conrad, including Conrad and Impressionism (2001), The Cambridge Introduction to Joseph Conrad (2007), and Joseph Conradâs Critical Reception (2013).
"To say that for Conradians Peterson's [sic] edition will be an essential source in their investigation of Conradâs oeuvre seems an obvious compliment, but it will also be an invaluable tool in the hands of theatre historians and theoreticians, a precious guide to the twentieth-century tensions and discussions on art, aesthetics and sense of humour, as well as on politics. This book makes its readers ponder why Conradâs plays were appreciated in the States and disregarded in Germany, why the context so vivid to the recalled critics disappears from the contemporality of twenty-first-century perspective, and why the interpretation of the female characters in Conradâs plays differs so drastically between reviewsâranging from omission and neglect to placing them at the heart of the drama."
- Anna M. Szczepan-Wojnarska, Cardinal Stefan WyszyÅski University, Poland, in Yearbook of Conrad Studies Vol. 14, 2019 pp. 123â124
"John G. Peters has done a brilliant job in collating the reviews and observations of Conradâs drama, exploring their reception both as works on the page and on the stage. The fact that the volume is over 450 pages long makes us realise how important this âobscureâ aspect of Conradâs oeuvre truly is."
- Richard J. Hand, The Conradian, 2021
"John Peters has meticulously assembled a collection of reviews and observations on Joseph Conradâs contributions to theatre that will be welcome to scholars and students undertaking investigations in this area and may also deserve the attention of those who contemplate developments and trends in criticism. [...] It is reasonable to expect that Petersâs Conradâs Drama: Contemporary Reviews and Observations will make a comparable impression on those who use it in the coming years. [â¦] Peters deserves thanks for making the reviews, especially the best of them, readily available in a single volume."
- Michael John DiSanto, Joseph Conrad Today, Fall 2021
â...the majority of the notes attest to the impeccable scholarship of Peters and open a window for the readers through which they can observe and fully understand the theatrical, literary, and critical contexts of Britain at the beginning of the twentieth century.[â¦] this work of extensive criticism and advanced scholarship should be essential reading for any student of Conradâs drama or early twentieth-century British drama, which every university library should include in their reference section. Most importantly, Petersâs handbook definitely proves that Conradâs plays should not be put to rest in Davy Jonesâs Locker; quite the opposite, it gives food for thought and material for further study.
- Agnieszka Adamowicz-PoÅpiech, Conradiana, Spring/Fall 2019, col. 51, no 1/2.
- Anna M. Szczepan-Wojnarska, Cardinal Stefan WyszyÅski University, Poland, in Yearbook of Conrad Studies Vol. 14, 2019 pp. 123â124
"John G. Peters has done a brilliant job in collating the reviews and observations of Conradâs drama, exploring their reception both as works on the page and on the stage. The fact that the volume is over 450 pages long makes us realise how important this âobscureâ aspect of Conradâs oeuvre truly is."
- Richard J. Hand, The Conradian, 2021
"John Peters has meticulously assembled a collection of reviews and observations on Joseph Conradâs contributions to theatre that will be welcome to scholars and students undertaking investigations in this area and may also deserve the attention of those who contemplate developments and trends in criticism. [...] It is reasonable to expect that Petersâs Conradâs Drama: Contemporary Reviews and Observations will make a comparable impression on those who use it in the coming years. [â¦] Peters deserves thanks for making the reviews, especially the best of them, readily available in a single volume."
- Michael John DiSanto, Joseph Conrad Today, Fall 2021
â...the majority of the notes attest to the impeccable scholarship of Peters and open a window for the readers through which they can observe and fully understand the theatrical, literary, and critical contexts of Britain at the beginning of the twentieth century.[â¦] this work of extensive criticism and advanced scholarship should be essential reading for any student of Conradâs drama or early twentieth-century British drama, which every university library should include in their reference section. Most importantly, Petersâs handbook definitely proves that Conradâs plays should not be put to rest in Davy Jonesâs Locker; quite the opposite, it gives food for thought and material for further study.
- Agnieszka Adamowicz-PoÅpiech, Conradiana, Spring/Fall 2019, col. 51, no 1/2.
All interested in the plays of Joseph Conrad, the life and works of Joseph Conrad in general, and those interested in British drama of the early 20th century.