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Oscar Wilde in Vienna
Pleasing and Teasing the Audience
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Oscar Wilde in Vienna is the first book-length study in English of the reception of Oscar Wildeâs works in the German-speaking world. Charting the playsâ history on Viennese stages between 1903 and 2013, it casts a spotlight on the international reputation of one of the most popular English-language writers while contributing to Austrian cultural history in the long twentieth century.
Drawing on extensive archival material, the book examines the appropriation of Wilde's plays against the background of political crises and social transformations. It unravels the mechanisms of cultural transfer and canonisation within an environment positioned â like Wilde himself â at the crossroads of centre and periphery, tradition and modernity.
Drawing on extensive archival material, the book examines the appropriation of Wilde's plays against the background of political crises and social transformations. It unravels the mechanisms of cultural transfer and canonisation within an environment positioned â like Wilde himself â at the crossroads of centre and periphery, tradition and modernity.
Sandra Mayer, Ph.D. (2012), University of Vienna, is a Hertha Firnberg Research Fellow in English Literature at the universities of Vienna and Oxford. Her work is situated at the crossroads of literary and cultural history, authorship studies, and life-writing research.
"This is not only a fascinating and lucid study suitable for those interested in Wildeâs plays on the stage and in theatre history more generally, but is also ideal for those with an interest in the narratives of appropriation of literature across times and cultures."
-Forum for Modern Language Studies, Volume 55, Issue 3, July 2019, Pages 355â356, 17 July 2019.
-Forum for Modern Language Studies, Volume 55, Issue 3, July 2019, Pages 355â356, 17 July 2019.
List of Illustrations Acknowledgements Introduction: Oscar Wilde and the Art of Creating a Great Sensation âThe Stage as Meeting Place of the Arts: Charting Theoretical and Methodological Territory 1 An Artefact of Commodified Culture: Trading Wilde in the Literary Marketplace âA âFirst- Rate Theatrical Fashion Itemâ: Wilde En vogue in Fin-de-Siècle Vienna âMore Conformist than Rebel? Wilde in the Context of Late- Nineteenth- Century Literary Culture âWriting to be Popular: Wilde as a Professional Playwright âPleasing and Teasing the Audience: Wildeâs Society Comedies as Artistic Compromise? 2 Curtain Up: Wilde Enters the Viennese Stage âLiterary Cosmopolitanism: Wilde and Fin- de- Siècle Viennese Artistic Networks âAgents of Mediation: Examples of Wildeâs Early Viennese Popularisation 3 Forging the Construct: Wilde the Playwright in Early-Twentieth-Century Vienna ââMidway between Fact and Legendâ: Converging Images of Wildeâs Life and Work âVisions of Salome, Visions of Wilde: Biographical Readings of Wildeâs âSymbolist Relicâ on Viennese Stages âIntellectual Elegance â Elegant Intellectuality: The Early Viennese Reception of Wildeâs Society Comedies âLike a Parody Parodied: The Importance of Being Earnest in Early- Twentieth- Century Vienna 4 Consolidating the Construct: The Canonisation of Wildean Drama on Viennese Stages before 1938 âA Triumph of âOld Theatreâ: Wildeâs âPhosphorescent Salon Philosophyâ in the Contexts of Critical Reception and Audience Success âViennese Theatre as Actorsâ Theatre: Transforming Lady Bracknell into a âWoman of Some Importanceâ âA âParadoxical Englishmanâ in Vienna: Wilde Reception and National Identity âLondon Dandy Meets Viennese Bonvivant: The Cultural âOtherâ in Wildeâs Comedies on Pre- World War II Viennese Stages 5 Modifying vs Preserving the Construct: The Viennese Wilde Revival after 1945 âA Case of âHistorico- Cultural Reminiscenceâ: Wildean Drama and Patterns of Continuity in Postwar Austrian Theatre Practice and Criticism âClassic or Déclassé: Wildean Comedy in Defence of its Canonicity âNoblesse, Nostalgia, and Viennese Bonhomie: Wildeâs Comedies at the Theater in der Josefstadt 6 Remodelling the Construct: Wildean Drama and the Politics of Disambiguation at the Turn of the Twenty- First Century ââComedy Exorcismâ between âPunchline Pornographyâ and âPopmodern Parodyâ: Elfriede Jelinek Goes Wilde âA Wild(e) Treatment: The âJelinekisationâ of The Importance of Being Earnest âViennese Travesties of Wilde: Gender Deconstruction and Neoliberal Criticism in Commercial and Fringe Wilde Productions Conclusion: Literary Reputation(s) and the Promise of Canonical Survival, or In Pursuit of the âRealâ Wilde Appendix: Viennese Productions of Oscar Wildeâs Works, 1903â2013 Bibliography Index
Scholars, students, and readers interested in Oscar Wilde and his international reception, the performance history of his plays, Viennese theatre and cultural history, and mechanisms of cultural transfer and canonisation.