Working the Margins of Community-Based Adult Learning

The Power of Arts-Making in Finding Voice and Creating Conditions for Seeing/Listening

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This volume gathers stories about how various art and creative forms of expression are used to enable voices from the margins, that is, of underrepresented individuals and communities, to take shape and form. Voice is not enough; stories and truths must be heard, must be listened to. And so the stories gathered here also speak to how creative processes enable conditions for listening and the development of empathy for other perspectives, which is essential for democracy. The chapters, including some that describe international projects, illustrate a variety of art-making practices such as poetry, visual art, film, theatre, music, and dance, and how they can support individuals and groups at the edges of mainstream society to tell their story and speak their truths, often the first steps to valuing one’s identity and organizing for change. Some of the authors are community-based artists who share stories thus bringing these creative endeavors into the wider conversation about the power of arts-making to open up spaces for dialogue across differences. Art practices outlined in this book can expand our visions by encouraging critical thinking and broadening our worldview. At this time on the earth when we face many serious challenges, the arts can stimulate hope, openness, and individual and collective imaginations for preferred futures. Inspiration comes from people who, at the edges of their community, communicate their experience.

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“I Still Have My Hands”
Rural Women, Depression, and Zines
Pages: 15–25
Weaving Community Together
Learning at the Loom
Pages: 27–38
Amplifying Voices
Film Festivals, New Perspectives, Critical Reflection, and Inspiration
Pages: 49–60
Through the Lens of Transformative Learning
A Photovoice Pilot Project with Persons with Diverse Abilities in Belize
Pages: 61–73
Meeting on the River of Life
Fostering Loyalist and Mohawk Exchanges through the Arts
Pages: 75–88
Voice, Identity, and Community
The Possibilities and Challenges of Facilitating Arts-Based Engagement
Pages: 89–101
Speaking Truth to Power
The Political Fashion Shows of Filipino Activists
Pages: 115–131
Fractured Fables
A Prison Puppet Project
Pages: 133–144
The Park Bench Players
Telling Stories of Living with Mental Illness with Sincerity, Humour, and Respect
Pages: 145–155
Telling Old Stories in New Ways
Popular Theatre in Western Kenya
Pages: 157–168
A Mother/Daughter Distance Dance
Virtually Connecting Incarcerated Mothers and Their Daughters through Choreography
Pages: 169–179
Conclusion
The Strands and the Braid
Pages: 181–187
Contributors
Pages: 189–191
Educational Researchers and their students
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