Among the many subjects on which Theophrastus wrote, music is one of the most fascinating, as is testified by the sources discussed in this volume. Although scanty, the material we haveâsixteen texts altogether, most of which are indirect testimoniesâgives an idea of the originality and modernity of Theophrastusâ thought on music, and makes us regret that we do not know more. Our philosopher conceives of music as something that originates from a movement in the soul caused by passions and comes into existence through the body. Accordingly, he is interested in performanceâi.e. the way in which musical expression is brought to the listenerâand its effects on the soul and the bodyâe.g. musical therapy.
Massimo Raffa, Ph.D. (2000, University of Palermo) is a teacher of Classics and former Research Fellow at the University of Perugia. He is the translator of Ptolemyâs Harmonics and Porphyryâs Commentary into Italian (Bompiani 2016) and critical editor of the latter for the Teubner series (De Gruyter 2016).
"As a remarkable piece of scholarship, this book should be read from cover to cover not only by scholars interested in the musical side of the Theophrastean thought, but also by those interested in ancient Greek music in much broader sense." Angelo Meriani, Bryn Mawr Classical Review 2019.11.10.
Acknowledgements
1 Introduction
â1âSounds Outside: Harmonics and Acoustics in Theophrastusâ Time
â2âSounds Inside: Qualities, Affections, and the Soul
â3âTheophrastusâ Thought on Music in Context
2 The Sources
â1âPhilodemus, c. 110â40â¯BC
â2âApollonius, II cent. BC
â3âPlutarch, c. 45â120â¯AD
â4âAulus Gellius, c. 130â180â¯AD
â5âAthenaeus of Naucratis, III cent. AD
â6âCensorinus, III cent. AD
â7âPorphyry, IIIâIV cent. AD
â8âAelius Festus Aphthonius, IIIâIV cent. AD
â9âá¹¢iwÄn al-ḥikma, IXâX cent. AD
3 Titles of Books
4 The Texts
â1âHarmonics
â2âMusicians
â3âMusic and the Soul
â4âMusic and the Human Body
Bibliography Index of Relevant Words Index of Ancient Names, Places, Authors and Passages Cited Index of Relevant Matters
All interested in ancient philosophy and psychology, musicologists and music historians; moreover, anyone interested in the history of medicine and musical therapy.