Gender performativity, its variances depending on their historical, social and cultural contexts, and the rituals, representations and institutions involved in gender performances are some of the issues the authors addressed in this collection. Gender under Construction takes a non-essentialist view of gender and provides illustrative examples of gender constructive processes by pursuing them in various contexts and by means of diverse methodologies. In so doing, the book demonstrates that it is unfeasible to consider gender as a fixed biological trait. Instead, the authors propose to look at gender performance as ongoing processes in which femininities and masculinities enter multiple and dynamic intersections with a myriad of categories, including those of nationality, ethnicity, class, sexuality and age.
Ewa Glapka has received her PhD degree from Adam Mickiewicz University and is currently a post-doctoral research fellow at the University of the Free State, South Africa. Her research interests include discourse and gender, media discourse, media reception, discursive psychology and qualitative sociology. In 2014, she published a book titled: Reading Bridal Magazines from a Critical Discursive Perspective (Palgrave Macmillan, 2014).
Barbara Braid has earned her PhD degree at Opole University, Poland, and currently holds a position of Assistant Lecturer in English at Szczecin University, Poland. She has published a number of book chapters and journal articles on neo-Victorian fiction, gender performativity, gothic studies and lesbian fiction. She has co-edited a two-volume collection of essays âUnity in Diversityâ (Cambridge Scholars Publishing, 2013-14).
Introduction
âEwa Glapka and Barbara Braid
Part I Gender in Talk: Construction of Identity versus Hegemonic Discourses of Gender
ââMasculinity in Media Consumption: Readersâ Positioning to the Discourse of a Menâs Magazine
ââEwa Glapka
ââStill Pink and Pale: White Afrikaans Hetero-Femininity in Postapartheid South Africa
ââChristi van der Westhuizen
ââGendering the Workplace: Between Transgression and (De-)Naturalisation
ââIsabelle V. Zinn
Part II Dynamic Masculinities and Their Representations
ââInscribing the Male: Representations of Masculinity and Male Bodies in Contemporary Literature
ââBorja Ibaseta
âââImprisoned in a System of Work, Produce, Consumeâ: So How Did Jack Kerouac, Hugh Hefner, Albert Finney and John Lennon Challenge the Link between Masculinity and Responsibility?
ââMartin King
ââDesperately Becoming a Father: Representations of Fatherhood in Desperate Housewives
ââIqbal Akthar and Deirdre Hynes
Part III Gender, Sexuality and the Coercive Power of Institutions
ââSexual Violence against Men in Armed Conflict: Why Is It still Invisible?
ââRenata Cuk
ââMarital Rape and Constructions of Sexual Agency
ââMervi Patosalmi
ââSexuality and Gender at a Brazilian School: Constructing Femininities
ââVera Helena Ferraz de Siqueira, Marcia Bastos de Sá, Andrea Costa da Silva, and Ana Cristina Moreira Lima
Academics and graduate and post-graduate students in gender studies, particularly in the fields of sociology, media, discourse, and cultural studies.