In this book Paolo Sachet provides a detailed account of the attempts made by the Roman Curia to exploit printing in the mid-sixteenth century, after the Reformation but before the implementation of the ecclesiastical censorship. Conventional wisdom holds that Protestant exploitation of printing was astute, active and forward-looking, whereas the papacy was inept, passive and reactionary in dealing with the relatively new medium of communication. Publishing for the Popes aims to provide an impartial assessment of this assumption. By focusing on the editorial projects undertaken by members of the Roman Curia between 1527 and 1555, Sachet examines the Catholic Churchâs attitude towards printing, exploring its biases and tactics.
Paolo Sachet, Ph.D. (2015, the Warburg Institute), is Visiting Lecturer at the Università degli Studi di Milano. He has published numerous articles on Renaissance scholarship and the book world and co-edited The Afterlife of Aldus: Posthumous Fame, Collectors and the Book Trade (2018).
âThis book successfully combines the history of the book and religious history. It presents an abundance of detailed information about the people and processes of publication harvested from a wide range of archival, manuscript, printed books, and secondary scholarship, and presents the results in clear prose and detailed footnotes. It is an excellent and original study.â
Paul F. Grendler, University of Toronto, emeritus. In: Renaissance Quarterly, Vol. 75, No. 1 (Spring 2022), pp. 276â278.
âAcknowledgements
âList of Illustrations
âAbbreviations
âEditorial Note
1 Introduction
2 Prelude
â1 Stimuli from Verona
â2 Stimuli from Germany
â3 The Stampatore Cameralebefore and after the Sack
3 Portrait of a cardinale Editore
â1 Cerviniâs career and cultural interests
4 Cerviniâs Greek Press
â1 From the establishment to the demise of the press
â2 The output of the press
ââ2.1 Eustathiusâs commentaries on Homer
ââ2.2 Theophylactâs commentary on the Gospels
5 Cerviniâs Latin Press
â1 Francesco Priscianese and Cerviniâs Latin press
â2 The output of the press
ââ2.1 Editio princeps of Arnobius
ââ2.2 Letters of InnocentIII and of NicholasI
ââ2.3 Pamphlets of Cardinal Bessarion and of HenryVIII
ââ2.4 Additional publications
6 Cerviniâs editorial activity after 1544
â1 Beyond Rome
â2 Back to theUrbe
7 Epilogue
â1 Two Cardinals Exploiting Printing
â2 Blado and Nicolini as Official Printers
â3 The Greek Community in Venice
â4 Olaus Magnus
â5 Loyola and the First Jesuits
8 Conclusion
âDocumentary Appendixes
âA. The Greek Partnership Accounts (asf,Cervini, vol. 51, ff. 128vâ[136bis]v)
âB. Short-title Catalogue of Books Sponsored by Cervini
âBibliography
âIndex
All interested in book studies, religious history and history of ideas as well as early modern Italy, Renaissance and Counter-Reformation.