Within just a generation or two of its arrival, print had become a ubiquitous and spirited part of Spain and Portugalâs urban cultures. It serviced an ever-expanding reading public, as well as many and varied practical quotidian needs. Its impact on society was multi-dimensional and complex, and its social reach far broader than the civic or ecclesiastical elites were ever to be entirely comfortable with.
This cross-disciplinary volume of essays focuses on the maturing marketplace for print in the first half of the seventeenth century, shedding new light on some important transformations, with authors and publishers seizing opportunities available to them â negotiating the regulatory efforts of the censors, and scrambling to reconfigure their relationship with their readers.
Alexander S. Wilkinson, Ph.D. (2002), University of St Andrews, is Professor of Early Modern History at University College Dublin. He is Director of the UCD Centre for the History of the Media and has published widely on book history.
Alejandra Ulla Lorenzo, Ph.D. (2011), University of Santiago de Compostela, is a Mellon Research Fellow University College Dublin where she manages Iberian Books. She has published on Golden-Age Spanish theatre, especially on Calderón, as well as on the Spanish book trade.
âa welcome addition to studies on the history of printing and the book in early modern Iberia and on the impact of the press in its societies.â
Javier Lorenzo, East Carolina University. In: Renaissance Quarterly, Vol. 72, No. 1 (spring 2019), pp. 297-298.
Part 3
The Stage in Print
8 Printed Plays in Early Modern Spain
Don Cruickshank
9 Cervantesâs Ocho comedias: From the Pen to the Print-Shop
John OâNeill
10 Printing Licenses and the Trade in Fiction in Spain in the First Half of the Seventeenth Century
Manuel Calderón Calderón