Metaphors are ubiquitously used in the humanities to bring the tangibility of the concrete world to the elaboration of abstract thought. Drawing on this cognitive function of metaphors, this collection of essays focuses on the evocative figures of the âgatewayâ and the âwallâ to reflect on the state of postcolonial studies. Some chapters â on such topics as maze-making in Canada and the Berlin Wall in the writings of New Zealand authors â foreground the modes of articulation between literal borders and emotional (dis)connections, while others examine how artefacts ranging from personal letters to clothes may be conceptualized as metaphorical âgatewaysâ and âwallsâ that lead or, conversely, regulate access, to specific forms of cultural expression and knowledge.
Following this line of metaphorical thought, postcolonial studies itself may be said to function as either barrier or pathway to further modes of enquiry. This much is suggested by two complementary sets of contributions: on the one hand, those that contend that the canonical centre-periphery paradigm and the related âwriting backâ model have prevented scholars from recognizing the depth and magnitude of cross-cultural influences between civilizations; on the other, those that argue that the scope of traditional postcolonial models may be fruitfully widened to include territories such as post-imperial Turkey, a geographical and cultural gateway between East and West that features in several of the essays included in this collection.
Ultimately, all of the contributions testify to the fact that postcolonial studies is a field whose borders must be constantly redrawn, and whose paradigms need to be continually reshaped and rebuilt to remain relevant in the contemporary world â in other words, the collectionâs varied approaches suggest that the discipline itself is permanently âunder constructionâ. Readers are, therefore, invited to perform a critical inspection of the postcolonial construction site.
Introduction: Gateways and Walls, or the Power and Pitfalls of Postcolonial Metaphors
DARIA TUNCA & JANET WILSON
I. GATEWAYS AND WALLS: BETWEEN EAST AND WEST
Clothing the Borders: Dress as a Signifier in Colonial and Post-Colonial Space â GARETH GRIFFITHS
âAs Rare as Rubiesâ: Did Salman Rushdie Invent Turkish American-Literature? â ELENA FURLANETTO
The Bosphorus Syndrome â GERHARD STILZ
Geography Fabulous: Conrad and Ghosh â PADMINI MONGIA
The Concomitant Spaces of Territory and Writing: Crossing Cultural Divides â MARTA DVOÅÃK
III. THE BORDER: WALL OR GATEWAY?
âDie Mauer is no joke!â: The Berlin Wall in Cilla McQueenâs Berlin Diary and in the Works of Kapka Kassabova â CLAUDIA DUPPÃ
The Wall as Signifier in Ivan VladislaviÄâs Works â CARMEN CONCILIO
Enclosed: Nature. Carol Shieldsâ Textual Mazes â VERA ALEXANDER
An Ethics of Mourning: Loss and Transnational Dynamics in The Shadow Lines by Amitav Ghosh â GOLNAR NABIZADEH
IV. GENDERED GATEWAYS AND WALLS
The Mirage of Europe in Caryl Phillipsâs A Distant Shore and Chika Unigweâs On Black Sistersâ Street â ELISABETH BEKERS
Desexing the Crone: Intentional Invisibility as Postcolonial Retaliation in Ravinder Randhawaâs A Wicked Old Woman and Chitra Banerjee Divakaruniâs The Mistress of Spices â DEVON CAMPBELLâHALL
The Burden of Possessions: A Postcolonial Reading of Letters from Bessie Head, Dora Taylor, and Lilian Ngoyi â M.J. DAYMOND
Gendered Gateways: Australian Surfing and the Construction of Masculinities in Tim Wintonâs Breath â SISSY HELFF
Notes on Contributors
Index
All interested in postcolonial and world literatures, east-west relations, cross-cultural exchange, community and diaspora, and related issues of gender, identity, nationalism, race and ethnicity.