This book investigates the importance of Ricoeurâs hermeneutics and poetics in rethinking humanities. In particular, Ricoeurâs insights on reference as refiguration and his idea of interpretation as a triadic process (which consists of mimesis 1 â prefiguration, mimesis 2 â configuration, and mimesis 3 â refiguration) will be applied to philosophy of science and to literary and historical texts. It will be shown that Ricoeurâs idea of emplotment can be extended and applied to scientific, literary and historical texts. This multidisciplinary research will include philosophy of science, metaphysics, hermeneutics, and literary theory.
Sanja Ivic, PhD (2011) is a Research Fellow at the Institute for European Studies, Serbia. She completed her Postdoctoral research at the University of Paris X (France). Her publications include books and articles on various subjects in the field of philosophy.
Preface Introduction
1 RicÅurâs Idea of Reference as Refiguration: the Non-Descriptive Reference of Literary Work
â1â Introduction
â2â RicÅurâs Idea of Reference as Refiguration
â3â RicÅurâs Conception of Threefold Mimesis
â4â The Concept of Null-Reference
â5âConclusion
2 The Truth as Non-Reference: the Realist and Anti-Realist Conception of Reference
â1â Introduction
â2â Reference as Refiguration in Science
â3â The Success of Non-Referring Concepts: a Hermeneutic Aspect of Reference
â4â Conclusion
3 RicÅurâs Concept of Reference Applied to Theories of Scientific Realism and to Historical Texts: Real versus Unreal
â1Introduction
â2The Question of Truth in the Theories of Scientific Realism and in the Historical and Fictional Narratives
â3Realism and the Realm of Possibility
â4Conclusion
4 The Universality of Hermeneutic and Narrative Experience: RicÅurâs Narrative Theory Applied to Science
â1â Introduction
â2â Explanation and Understanding in the History of Science and Philosophy
â3â Binary Oppositions in Science
â4â RicÅurâs Dialectics between Explanation and Understanding
â5â RicÅurâs Narrative Theory Applied to Science
â6â Narrative Understanding: Mediating between Fictional and Historical Texts
â7â Conclusion
5 RicÅurâs Idea of Metamorphoses of Narrative Plots
â1â Introduction
â2â RicÅurâs Idea of Narrative Paradigm: A Question about the Limits of Plot
â3â Transhistorical Schematism of Narration
â4â Conclusion
6 The Idea of Truth as Non-Reference in Literature
â1â Introduction
â2â Art as the Personal Truth of the Author in Bulgakovâs The Master and Margarita
â3â Artistic and Religious Conception of Truth
â4â The Idea of Truth as Non-Reference in Borgesâ âTlön, Uqbar, Orbis Tertiusâ
â5â Conclusion
References Name Index Subject Index
Readers, students and scholars interested in philosophy, Ricoeur studies, hermeneutics and literary theory.