Framing Consciousness in Art: Transcultural Perspectives

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Framing Consciousness in Art shows how the frames-in-frames in these different contexts question notions of vision and representation, linear time, conventional spatial coordinates, binaries of ‘internal’ consciousness and ‘external’ world, subject and object, and the precise anatomy of mental states by which we are meant to carve up the territory of consciousness. The phenomenological experience of art is certainly as important as the folk psychology which scientists and philosophers use to taxonomise ordinary first-person modes of subjectivity. Yet art excels in configuring the visual field in order to articulate and sustain a complex network of higher-order thoughts structuring art and consciousness.

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Preliminary Material
页码: 1–5
Acknowledgments
页码: 7
Introduction
页码: 9–16
Framing Art History
页码: 17–63
Framing Philosophy
页码: 65–101
Framing Consciousness in Art
页码: 193–377
Bibliography
页码: 379–386
Index
页码: 387–390
Acknowledgments
Introduction
Part 1. Framing Art History
Part 2. Framing Philosophy
Part 3. Framing Consciousness Studies
Part 4. Framing Consciousness in Art
Bibliography
Index
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