The Canadian Multicultural Mosaic has long been recognized as an â if not the â outstanding characteristic of the Canadian nation at home and abroad. It has, further, come to be regarded as a model worldwide of a well-functioning culturally diverse society. This first book-length study of Canadian multicultural childrenâs literature sets out to explore how literature for the young has contributed to the creation of the countryâs multicultural discourse as well as to the construction of its national identity. In this context, childrenâs literature possesses particular significance, as juvenile literature by nature serves an educational purpose which extends to forming and informing the next generation of a countryâs citizens. In order to achieve a deeper understanding of the complex structures at work, not only the fictional works themselves but also Canadaâs policy with regard to childrenâs culture and literature have been examined. In order to provide an optimally comprehensive picture, chapters include, among other aspects, information on public library services for immigrant children, on Canadian research collections specializing in childrenâs literature, on Canadian publishing for children, and on promotional activities. The works of fiction examined cover the period from 1950 to 1994 â thus illustrating the development of the nationâs multicultural discourse â and include various Canadian regions as well as protagonists belonging to different ethnic groups. While the approach is interdisciplinary, the novels discussed are above all read against the tenets of Canadian multiculturalism as manifested in such core documents as Prime Minister Trudeauâs 1971 parliamentary declaration and the 1988 Canadian Multiculturalism Act. The chief objective of the present study is to understand the interdependence between ideology, childrenâs literature, and the creation of a national discourse.
Miriam Verena Richter teaches in the Department of English at Friedrich Schiller University, Jena (Germany). She has published on Canadian childrenâs literature, German youth fiction, and British and Canadian historical fiction.
Acknowledgements
List of Illustrations
Introduction
National Identity-Formation
Aspects of Nation-Building
The Contribution of Literature to National Identity-Formation
Childrenâs Literature and National Identity-Formation
The Canadian Situation
Canadian National Identity
Multiculturalism
Multicultural Childrenâs Literature
Canadian Cultural Policy with Regard to Childrenâs Culture and Literature
Public Librariesâ Childrenâs Services
Canadian Research Collections Specializing in Childrenâs Literature
Canadian Publishing for Children
Canadian Childrenâs Book Awards
Promotional Activities
Guides to Canadian Childrenâs Literature
State of Research
The Immigrant Experience as Depicted in Anglo-Canadian Youth Fiction 1950â1994
Criteria of Choice for the Corpus of Primary Literature
Pioneering Multicultural Childrenâs Literature: The 1950s
â Lyn Cook: The Bells on Finland Street
â Lyn Cook: The Little Magic Fiddler
The Beginnings of Official Multicultural Policy: The 1970s
â Jean Little: From Anna and Listen for the Singing
â Frances Duncan: Kap-Sung Ferris
Steering Towards the Canadian Multiculturalism Act: The 1980s
â Monica Hughes: My Name is Paula Popowich!
Consolidating Multiculturalism in Multicultural Canadian Childrenâs Literature: The 1990s
â Paul Yee: Breakaway The Development of Canadian Multicultural Childrenâs Literature: Conclusion and Outlook for the Future
Bibliography
Index