Ideas, History, and Modern China
Herausgeber:innen:
und
Ban Wang
Ban Wang
Search for other papers by Ban Wang in
Current site
Google Scholar
PubMed
Search for other papers by Ban Wang in
Current site
Google Scholar
PubMed
Hui Wang
Hui Wang
Search for other papers by Hui Wang in
Current site
Google Scholar
PubMed
Search for other papers by Hui Wang in
Current site
Google Scholar
PubMed
With China’s economic boom, continuous political stability, and increasing influence, it is time to ask if the trajectories of the Chinese Revolution--its troubled interaction with the world market, its national independence movements, its pursuit of egalitarianism, communism, and socialism, and its post-socialist reform—could be understood as a meaningful and consistent historical experience. It is important now to see how China’s past efforts have contributed or obstructed its progress since the Qing empire was thrust into the international system of nation-states in the late 19th century. This series aims to place the study of China in the contexts of the international system of nation-states, global capitalist and market expansion, imperialist rivalry, the Cold War, and recent waves of economic globalization. It welcomes analytical attempts to frame intellectual, historical, and cultural analysis conducive to dialectical relations between these categories. Ideas will not be studied in the abstract but be set in motion and intertwined with praxis through analysis of historical contexts and enriched by close analysis of aesthetic texts, such as literature, narratives, and phenomena of everyday life.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at Brill, Iulia Ivana.
Please see our Guidelines for a Book Proposal. All submissions are subject to a double-anonymous peer review process prior to publication.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at Brill, Iulia Ivana.
Please see our Guidelines for a Book Proposal. All submissions are subject to a double-anonymous peer review process prior to publication.
The Last Western Colony, 1918 – 1948 and Beyond
Band 34
978-90-04-73829-4
To Confine the Surging Tide from the Outside World, 1901–1937
Band 31
978-90-04-68788-2
Band 30
978-90-04-54149-8
Aspects of Foreign Relations, Politics, and Nationality, 1980-1999
Band 29
978-90-04-54092-7
The Exchange of Ideas and Political Collaborations between China's Men of Guns and Men of Letters, 1919-1923
Band 28
978-90-04-52865-9
China Before the Conflict Thesis
Band 26
978-90-04-46822-1
Band 25
978-90-04-46604-3
Reform, Utopia and Global Teleology in Kang Youwei's Datong Shu
Band 24
978-90-04-43471-4
The Movement and its Centennial Legacy
Band 23
Herausgeber:
Carlos Yu-Kai Lin und Victor H. Mair
978-90-04-42488-3
The Writing of Fiction in the Great Transformative Epoch of Modern China, 1937-1949
Band 20
978-90-04-39863-4
Ideas and History in China’s "Independent Cinema", 1988-2008
Band 19
978-90-04-38558-0
The Relationship between Religion and Capitalism in Modern China
Band 18
978-90-04-38391-3
A Case Study of Two Deaths by the Red Guards
Band 16
978-90-04-36047-1
The Representations of the Chinese Cultural Revolution in English-speaking Countries
Band 15
978-90-04-32355-1
Classical-Style Poetry of Modern Chinese Writers
Band 14
978-90-04-31080-3
Literature, Intellectual History, and China’s Road to Empire
Band 13
978-90-04-30930-2
Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938
Band 12
978-90-04-30794-0
The Cultural and Historical Debates in Late Qing and Republican China
Band 11
978-90-04-29050-1
The Creation Society and the Practice of Theoretical Struggle in Revolutionary China
Band 9
978-90-04-28178-3
Evolution, Ethics and Sociality in Modern Chinese Literature and Film
Band 8
978-90-04-26535-6
Theoretical Framework and Chinese Context
Band 7
978-90-04-26051-1
Economics, Politics, and Storytelling in the Yangzi Delta since 1949
Band 5
978-90-04-23244-0
Chinese Cultural Education at Hong Kong’s New Asia College, 1949-63
Band 4
978-90-04-21734-8
Ban WANG, Ph.D. in Comparative Literature, UCLA, is the William Haas Professor in Chinese Literature at Stanford University. He is author of The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China (Stanford, 1997) and Illuminations from the Past: Trauma, Memory, and History in Modern China (Stanford, 2004).
WANG Hui, Ph.D. (1988), Chinese Academy of Social Sciences, is Professor at the School of Humanities and Social Sciences at Tsinghua University in Beijing. He is author of several works on Chinese intellectual history and issues in contemporary China, including China’s New Order: Society, Politics, and Economy in Transition (Harvard, 2003).
WANG Hui, Ph.D. (1988), Chinese Academy of Social Sciences, is Professor at the School of Humanities and Social Sciences at Tsinghua University in Beijing. He is author of several works on Chinese intellectual history and issues in contemporary China, including China’s New Order: Society, Politics, and Economy in Transition (Harvard, 2003).
Series Editors:
Ban Wang, Stanford University, USA
Wang Hui, Tsinghua University, China
Editorial Board:
Yin Zhiguang, Fudan University, China
Ping Zhu, University of California San Diego, USA
Zhang Yongle, Peking University, China
Ban Wang, Stanford University, USA
Wang Hui, Tsinghua University, China
Editorial Board:
Yin Zhiguang, Fudan University, China
Ping Zhu, University of California San Diego, USA
Zhang Yongle, Peking University, China
All those interested in intellectual history, literature, aesthetics, or general historical studies of 20th and 21st century China.