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Volume 29 (2017): Issue 2 (Jan 2017): Staging Beckett at the Margins / Autres scènes beckettiennes

in Samuel Beckett Today / Aujourd'hui
Introduction
Staging Beckett at the Margins
Pages: 227–230
Publication Date: 01 Jan 2017
The Stuff of Performance
Beckett, Theatre Marginalia, and the Archive
Pages: 231–242
Publication Date: 01 Jan 2017
Beckett at the Young Vic
From the Marginal to the Major-Marginal
Pages: 243–255
Publication Date: 01 Jan 2017
“Radish, One per Night”
Early Godots in the Regional Theatre Archive
Pages: 256–269
Publication Date: 01 Jan 2017
Beckett in Poland
Contemporary Stagings
Pages: 270–282
Publication Date: 01 Jan 2017
The Godots that Arrived in Hungary
The First Budapest Productions before and after 1989
Pages: 283–297
Publication Date: 01 Jan 2017
Why Doesn’t Winnie Grab the Shovel?
Staging Beckett’s Happy Days in Early Post-Communist Romania
Pages: 298–311
Publication Date: 01 Jan 2017
Godot, an Israeli Critic
Pages: 312–324
Publication Date: 01 Jan 2017
Finding a Form for the Speechless
Samuel Beckett and Miwa Yanagi’s Zero Hour
Pages: 325–336
Publication Date: 01 Jan 2017
Beckett in New Orleans
Communities and Commodities
Pages: 337–349
Publication Date: 01 Jan 2017
Precarious Theatre
Staging Waiting for Godot at the Occupy Wall Street Protest
Pages: 350–360
Publication Date: 01 Jan 2017
Staging Ireland’s Dispossessed
Sarah Jane Scaife’s Beckett in the City Project
Pages: 361–374
Publication Date: 01 Jan 2017
They … to Play
A Turkish Take on Beckett
Pages: 375–387
Publication Date: 01 Jan 2017
Young-woong Lim’s Waiting for Godot
Its Place in Korean Theatre History
By: Rina Kim
Pages: 388–402
Publication Date: 01 Jan 2017
Staging Beckett in Bengal
Revisiting History and Art
Pages: 403–413
Publication Date: 01 Jan 2017
Beckett’s Theater of Punishment
Act without Words I as Panopticon
Pages: 417–427
Publication Date: 01 Jan 2017
Contributors / Auteurs
Pages: 429–432
Publication Date: 01 Jan 2017