à propos dââ¯acte sans paroles I
Le miracle de lââ¯encore ou lââ¯art dââ¯enfiler son caleçon un pied après lââ¯autre au risque dââ¯une implacable perte dââ¯Ã©quilibre
In: Samuel Beckett Today / Aujourd'huiSearch for other papers by Dominique Dupuy in
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Act without Words I is a play about gravity, whose mechanisms are on display. In Worstward Ho, the image of an old man and a child holding hands suddenly appears out of the nothingness. This image, with all its implications, has given rise to our recent production of Act without Words I, in which the same sequence of movements is performed twice, first by a young circus artist, and then by myself, an eighty-year-old dancer.
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| All Time | Past 365 days | Past 30 Days | |
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| Abstract Views | 234 | 55 | 4 |
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à propos dââ¯acte sans paroles I
Le miracle de lââ¯encore ou lââ¯art dââ¯enfiler son caleçon un pied après lââ¯autre au risque dââ¯une implacable perte dââ¯Ã©quilibre
In: Samuel Beckett Today / Aujourd'huiSearch for other papers by Dominique Dupuy in
Current site
Google Scholar
PubMed
Act without Words I is a play about gravity, whose mechanisms are on display. In Worstward Ho, the image of an old man and a child holding hands suddenly appears out of the nothingness. This image, with all its implications, has given rise to our recent production of Act without Words I, in which the same sequence of movements is performed twice, first by a young circus artist, and then by myself, an eighty-year-old dancer.
| All Time | Past 365 days | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 234 | 55 | 4 |
| Full Text Views | 167 | 0 | 0 |
| PDF Views & Downloads | 20 | 0 | 0 |
