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Connoisseurship as knowledge. An introduction
Pages: 6–41
Publication Date: 20 May 2020
Pieter Bruegel’s afterlife
A visual metaphor in seventeenth-century landscape
Pages: 42–73
Publication Date: 20 May 2020
Mettre des mots sur l’art
Peintres et connaisseurs dans la théorie de l’art française et néerlandaise du XVIIe siècle
By: Jan Blanc
Pages: 74–105
Publication Date: 20 May 2020
Ingenuity and discernment in
The Cabinet of Cornelis van der Geest (1628)
Pages: 106–145
Publication Date: 20 May 2020
Painting connoisseurship
Liefhebbers in the studio
Pages: 146–173
Publication Date: 20 May 2020
Exotic and exclusive
The Pronk porcelain as products for the connoisseur
By: Angela Ho
Pages: 174–211
Publication Date: 20 May 2020
John Smith’s Rembrandt research project
An art dealer establishes the first catalogue raisonné of the paintings (1836)
Pages: 212–247
Publication Date: 20 May 2020
Rembrandt print connoisseurship,
Sir Francis Seymour Haden, and the etching revival of the nineteenth century
Pages: 248–279
Publication Date: 20 May 2020
In de voetsporen van Max Friedländer
Een pleidooi voor het kennerschap aan de hand van het Werlaltaarstuk
Pages: 280–311
Publication Date: 20 May 2020
Greenberg’s connoisseurship in Mondrian’s space
Pages: 312–337
Publication Date: 20 May 2020
The market reception of ‘new connoisseurship’
The impact of recent advances in art scholarship on the selling and buying of early Flemish paintings
Pages: 338–372
Publication Date: 20 May 2020