Möchten Sie über diese Zeitschrift informiert bleiben? Klicken Sie bitte auf die Buttons, um unsere Alerts zu abonnieren.
Möchten Sie über diese Zeitschrift informiert bleiben? Klicken Sie bitte auf die Buttons, um unsere Alerts zu abonnieren.
Aertsen, Rubens and the questye in early modern painting
in Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek OnlineSearch for other papers by Koenraad Jonckheere in
Current site
Google Scholar
In this paper, I argue that the early modern intellectual culture in Early Modern Europe was basically a ‘culture of quaestio’ in which the ‘question’ played a fundamental role as an educational tool, a intellectual method and - as a consequence - as a line of reasoning. Using Peter Paul Rubens’s Double portrait of Seneca and Nero and Pieter Aertsen’s Jesus in the House of Mary and Martha as prime examples, I’ll argue that certain works of art – with artistic ambition – were conceived as quaestiones disputatae rather than self-confirmatory narratives, fully in line with the intellectual/pedagogical principles of quaestiones in the early modern Low Countries.
Kauf
Sofortzugang erwerben (PDF-Download und unbegrenzter Online-Zugang):
Institutszugang
Melden Sie sich mit Open Athens, Shibboleth oder Ihren institutionellen Anmeldedaten an.
Persönliche Anmeldung
Melden Sie sich mit Ihrem brill.com-Konto an
| Insgesamt | Letzte 365 Tage | In den letzten 30 Tagen | |
|---|---|---|---|
| Aufrufe von Kurzbeschreibungen | 631 | 65 | 7 |
| Gesamttextansichten | 58 | 1 | 0 |
| PDF-Downloads | 122 | 3 | 0 |
Aertsen, Rubens and the questye in early modern painting
in Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek OnlineSearch for other papers by Koenraad Jonckheere in
Current site
Google Scholar
PubMed
In this paper, I argue that the early modern intellectual culture in Early Modern Europe was basically a ‘culture of quaestio’ in which the ‘question’ played a fundamental role as an educational tool, a intellectual method and - as a consequence - as a line of reasoning. Using Peter Paul Rubens’s Double portrait of Seneca and Nero and Pieter Aertsen’s Jesus in the House of Mary and Martha as prime examples, I’ll argue that certain works of art – with artistic ambition – were conceived as quaestiones disputatae rather than self-confirmatory narratives, fully in line with the intellectual/pedagogical principles of quaestiones in the early modern Low Countries.
| Insgesamt | Letzte 365 Tage | In den letzten 30 Tagen | |
|---|---|---|---|
| Aufrufe von Kurzbeschreibungen | 631 | 65 | 7 |
| Gesamttextansichten | 58 | 1 | 0 |
| PDF-Downloads | 122 | 3 | 0 |
