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 Tom H. Gibbons, “Cubism and ‘the Fourth Dimension’ in the Context of the Late Nineteenth-Century and Early Twentieth-Century Revival of Occult Idealism,” Journal of the Warburg and Courtauld Institutes 44 (1981), 130–147; Henderson, The Fourth Dimension, 32; Holton, “Henri Poincaré,” 130.

 Tom H. Gibbons, “Cubism and ‘the Fourth Dimension’ in the Context of the Late Nineteenth-Century and Early Twentieth-Century Revival of Occult Idealism,” Journal of the Warburg and Courtauld Institutes 44 (1981), 130–147; Henderson, The Fourth Dimension, 32; Holton, “Henri Poincaré,” 130.)| false
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 Douglas, “Beyond Reason,” 188 & 190; Henderson, “The Merging of Time and Space,” 105.

 Douglas, “Beyond Reason,” 188 & 190; Henderson, “The Merging of Time and Space,” 105.)| false
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 Charles W. Leadbeater, Clairvoyance (London: Theosophical Publishing Society, 1903); Idem, The Other Side of Death (London: Theosophical Publishing Society, 1904).

 Charles W. Leadbeater, Clairvoyance (London: Theosophical Publishing Society, 1903); Idem, The Other Side of Death (London: Theosophical Publishing Society, 1904).)| false
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 Gibbons, “Cubism and ‘the Fourth Dimension,’” 139–140.

 Gibbons, “Cubism and ‘the Fourth Dimension,’” 139–140.)| false
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 Holton, “Henri Poincaré,” 133; Noakes, “The ‘World of the Infinitely Little,’” 323–334.

 Holton, “Henri Poincaré,” 133; Noakes, “The ‘World of the Infinitely Little,’” 323–334.)| false
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 Charles W. Leadbeater, The Astral Plane: Its Scenery, Inhabitants and Phenomena (London: Theosophical Publishing Society, 1895), 9, available online at the Gutenberg Project, http://www.gutenberg.org/files/21080/21080-8.txt (accessed 31 January 2011).

 Charles W. Leadbeater, The Astral Plane: Its Scenery, Inhabitants and Phenomena (London: Theosophical Publishing Society, 1895), 9, available online at the Gutenberg Project, http://www.gutenberg.org/files/21080/21080-8.txt (accessed 31 January 2011).)| false
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 Cf. Celant, “Futurism and the Occult,” 36–40.

 Cf. Celant, “Futurism and the Occult,” 36–40.)| false
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 Holton, “Henri Poincaré,” 132.

 Holton, “Henri Poincaré,” 132.)| false
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 Marianne W. Martin, “Futurism, Unanimism and Apollinaire,” Art Journal 28/3 (1969), 258–68, 260.

 Marianne W. Martin, “Futurism, Unanimism and Apollinaire,” Art Journal 28/3 (1969), 258–68, 260.)| false
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 Boccioni, cited in Henderson, “Vibratory Modernism,” 128.

 Boccioni, cited in Henderson, “Vibratory Modernism,” 128.)| false
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 Celant, “Futurism and the Occult,” 36–42; Henderson, “Vibratory Modernism,” 128 & 138. A strong streak of Bergsonianism is also at work in Futurist paintings such as these, but space is lacking here to explore this issue. See Gibbons, “Cubism and ‘the Fourth Dimension,’” 139–140; Antliff, Inventing Bergson, 169–177.

 Celant, “Futurism and the Occult,” 36–42; Henderson, “Vibratory Modernism,” 128 & 138. A strong streak of Bergsonianism is also at work in Futurist paintings such as these, but space is lacking here to explore this issue. See Gibbons, “Cubism and ‘the Fourth Dimension,’” 139–140; Antliff, Inventing Bergson, 169–177.)| false
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 Helena P. Blavatsky, Isis Unveiled (Pasadena: Theosophical University Press, 1998).

 Helena P. Blavatsky, Isis Unveiled (Pasadena: Theosophical University Press, 1998).)| false
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 Besant & Leadbeater, Thought-Forms, 16.

 Besant & Leadbeater, Thought-Forms, 16.)| false
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 Sixten Ringbom, The Sounding Cosmos: A Study in the Spiritualism of Kandinsky and the Genesis of Abstract Painting (Turku/Abo: Abo Akademi, 1970). See further idem, “Transcending the Visible.”

 Sixten Ringbom, The Sounding Cosmos: A Study in the Spiritualism of Kandinsky and the Genesis of Abstract Painting (Turku/Abo: Abo Akademi, 1970). See further idem, “Transcending the Visible.”)| false
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 Marty Bax, Het Web der Schepping: theosofie en kunst in Nederland van Lauweriks tot Mondriaan (Amsterdam: unpublished PhD diss., Free University of Amsterdam, 2004); Carel Blotkamp, Mondrian: The Art of Destruction (London: Reaktion Books, 1994).

 Marty Bax, Het Web der Schepping: theosofie en kunst in Nederland van Lauweriks tot Mondriaan (Amsterdam: unpublished PhD diss., Free University of Amsterdam, 2004); Carel Blotkamp, Mondrian: The Art of Destruction (London: Reaktion Books, 1994).)| false
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 Harrison & Wood, Art in Theory, 224.

 Harrison & Wood, Art in Theory, 224.)| false
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 Huussen, Jacoba Heemskerck, 25.

 Huussen, Jacoba Heemskerck, 25.)| false
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 Vitz & Glimcher, Modern Art, 97, 171–175.

 Vitz & Glimcher, Modern Art, 97, 171–175.)| false
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 Henderson, “Italian Futurism,” 310.

 Henderson, “Italian Futurism,” 310.)| false
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 Idem, “X-Rays and the Quest for Invisible Reality,” 328.

 Idem, “X-Rays and the Quest for Invisible Reality,” 328.)| false
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 Idem, “Vibratory Modernism,” 127, 138–139.

 Idem, “Vibratory Modernism,” 127, 138–139.)| false
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