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Abstract
This article responds to the philosopher Alexander Nehamasâ argument that âno gesture, look, or bodily disposition, no attitude, feeling, or emotion, no action and no situation is associated with friendship firmly enough to make its representation a matter for the eye.â The article proposes a âhumanist exceptionâ to Nehamasâ general rule. Building on Lorna Hutsonâs argument that humanism âtextualizedâ friendship, I contend that in the early modern period scholars and artists associated with humanism were engaged in the development of a set of recognizable signs of friendship connected to the distinctive humanist culture of the book and associated activities of reading, writing, and circulating texts. The article offers a case study of Quentin Metsysâ diptych of Erasmus and Pieter Gillis (1517) and then applies the lessons gleaned from that work to a picture that Nehamas cites as evidence of his claim, Jacopo Pontormoâs Two Men with a Passage from Ciceroâs âOn Friendshipâ (ca. 1522). Both pictures, I contend, not only depict friendship but also promote humanist ideals of friendship to the viewer.
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| å ¨é¨æé´ | è¿å»ä¸å¹´ | è¿å»30天 | |
|---|---|---|---|
| æè¦æµè§æ¬¡æ° | 929 | 221 | 13 |
| å ¨ææµè§æ¬¡æ° | 35 | 6 | 0 |
| PDFä¸è½½æ¬¡æ° | 71 | 8 | 0 |
Search for other papers by Richard Hughes Gibson in
Current site
Google Scholar
PubMed
Abstract
This article responds to the philosopher Alexander Nehamasâ argument that âno gesture, look, or bodily disposition, no attitude, feeling, or emotion, no action and no situation is associated with friendship firmly enough to make its representation a matter for the eye.â The article proposes a âhumanist exceptionâ to Nehamasâ general rule. Building on Lorna Hutsonâs argument that humanism âtextualizedâ friendship, I contend that in the early modern period scholars and artists associated with humanism were engaged in the development of a set of recognizable signs of friendship connected to the distinctive humanist culture of the book and associated activities of reading, writing, and circulating texts. The article offers a case study of Quentin Metsysâ diptych of Erasmus and Pieter Gillis (1517) and then applies the lessons gleaned from that work to a picture that Nehamas cites as evidence of his claim, Jacopo Pontormoâs Two Men with a Passage from Ciceroâs âOn Friendshipâ (ca. 1522). Both pictures, I contend, not only depict friendship but also promote humanist ideals of friendship to the viewer.
| å ¨é¨æé´ | è¿å»ä¸å¹´ | è¿å»30天 | |
|---|---|---|---|
| æè¦æµè§æ¬¡æ° | 929 | 221 | 13 |
| å ¨ææµè§æ¬¡æ° | 35 | 6 | 0 |
| PDFä¸è½½æ¬¡æ° | 71 | 8 | 0 |
