Keith Bradley, Slavery and Society at Rome (Key Themes in Ancient History; Cambridge: Cambridge University Press, 1994).

Keith Bradley, Slavery and Society at Rome (Key Themes in Ancient History; Cambridge: Cambridge University Press, 1994).)| false
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Keith Bradley, Slavery and Society at Rome (Key Themes in Ancient History; Cambridge: Cambridge University Press, 1994), pp. 154-73.

Keith Bradley, Slavery and Society at Rome (Key Themes in Ancient History; Cambridge: Cambridge University Press, 1994), pp. 154-73. )| false
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See Niall McKeown, The Invention of Ancient Slavery? (Duckworth Classical Essays; London: Duckworth, 2007), pp. 77-96; and Kyle Harper, “Knowledge, Ideology, and Skepticism in Ancient Slave Studies,” American Journal of Philology 132 (2011), pp. 160-68 (161). For an example of Bradley’s critique, see Keith Bradley, “Review of Werner Eck and Johannes Heinrichs, Sklaven und Freigelassene in der Gesellschaft der römischen Kaiserzeit,” Gnomon 68 (1996), pp. 232-35.

See Niall McKeown, The Invention of Ancient Slavery? (Duckworth Classical Essays; London: Duckworth, 2007), pp. 77-96; and Kyle Harper, “Knowledge, Ideology, and Skepticism in Ancient Slave Studies,” American Journal of Philology 132 (2011), pp. 160-68 (161). For an example of Bradley’s critique, see Keith Bradley, “Review of Werner Eck and Johannes Heinrichs, Sklaven und Freigelassene in der Gesellschaft der römischen Kaiserzeit,” Gnomon 68 (1996), pp. 232-35.)| false
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Keith Bradley, Slavery and Rebellion in the Roman World, 140 BC–70 BC (Bloomington: Indiana University Press, 1989).

Keith Bradley, Slavery and Rebellion in the Roman World, 140 BC–70 BC (Bloomington: Indiana University Press, 1989).)| false
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Keith Bradley, Slavery and Rebellion in the Roman World, 140 BC–70 BC (Bloomington: Indiana University Press, 1989), pp. 4-11, 38, and passim.

Keith Bradley, Slavery and Rebellion in the Roman World, 140 BC–70 BC (Bloomington: Indiana University Press, 1989), pp. 4-11, 38, and passim. )| false
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Aristotle, Pol. 1.1253b4; Justinian, Digest 1.5.4.1; Institutes 1.3.2; W.W. ­Buckland, The Roman Law of Slavery: The Condition of the Slave in Private Law from Augustus to Justinian (New York: AMS Press, 1969 [original 1908]), p. 1.

Aristotle, Pol. 1.1253b4; Justinian, Digest 1.5.4.1; Institutes 1.3.2; W.W. ­Buckland, The Roman Law of Slavery: The Condition of the Slave in Private Law from Augustus to Justinian (New York: AMS Press, 1969 [original 1908]), p. 1.)| false
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Keith Bradley, “Animalizing the Slave: The Truth of Fiction,” Journal of Roman Studies 90 (2000), pp. 110-25; repr. in Keith Bradley, Apuleius and Antonine Rome: Historical Essays (Phoenix, Supplementary Volume 50; Toronto: University of Toronto Press, 2012), pp. 59-78.

Keith Bradley, “Animalizing the Slave: The Truth of Fiction,” Journal of Roman Studies 90 (2000), pp. 110-25; repr. in Keith Bradley, Apuleius and Antonine Rome: Historical Essays (Phoenix, Supplementary Volume 50; Toronto: University of Toronto Press, 2012), pp. 59-78.)| false
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Bradley, “Animalizing the Slave,” pp. 120-21.

Bradley, “Animalizing the Slave,” pp. 120-21.)| false
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Bradley, Apuleius and Antonine Rome, p. 293 n. 7; see the review of this book by Vincent Hunink in Bryn Mawr Classical Review 2012.09.54 (accessible at http://bmcr.brynmawr.edu/2012/2012-09-54.html). Of course, Bradley also has good company: see Fergus Miller, “The World of the Golden Ass,” Journal of Roman Studies 71 (1981), pp. 63-75.

Bradley, Apuleius and Antonine Rome, p. 293 n. 7; see the review of this book by Vincent Hunink in Bryn Mawr Classical Review 2012.09.54 (accessible at http://bmcr.brynmawr.edu/2012/2012-09-54.html). Of course, Bradley also has good company: see Fergus Miller, “The World of the Golden Ass,” Journal of Roman Studies 71 (1981), pp. 63-75.)| false
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See E.J. Kenney, “In the Mill with Slaves: Lucius Looks Back in Gratitude,” Transactions of the American Philological Association 133 (2003), pp. 159-92.

See E.J. Kenney, “In the Mill with Slaves: Lucius Looks Back in Gratitude,” Transactions of the American Philological Association 133 (2003), pp. 159-92.)| false
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: Apuleius, Met. 2.6; 3.12; 7.21; 9.19; 9.34; the “good ancilla”: 3.13; see other examples in Regine May, Apuleius and Drama: The Ass on Stage (Oxford Classical Monographs; Oxford: Oxford University Press, 2006), pp. 5-6, and passim, with due acknowledgment to Bradley, “Apuleiana,” Phoenix 62 (2008), pp. 370-75. Apuleius (Florida 16.6) lists twelve stock characters of the comic stage, evidence that he clearly knew such dramatic conventions. See also Stavros A. Frangoulidis, Roles and Performances in Apuleius’ “Metamorphoses” (Drama, Beiträge zum antiken Drama und seiner Rezeption, Beihefte 16; Stuttgart: J.B. Metzler, 2001), pp. 97-98, and passim; and Alexander Kirichenko, “Writing Like a Clown: Apuleius’ Metafiction and Plautus’ Metatheater,” Göttinger Forum für Altertumswissenschaft 10 (2007), pp. 259-71. For the continued performance of Plautus and Terence throughout the empire, and the influence of their stock comic characters on later Roman writers (such as Tacitus and Livy), see S.K. Dickison, “Claudius: Saturnalicius Princeps,” Latomus 36 (1977), pp. 634-47; and Leon Catin, “Comedy, Wit, and Humour in Livy,” in Jane D. ­Chaplin and Christina S. Kraus (eds.), Oxford Readings in Classical Studies: Livy (Oxford: Oxford University Press, 2009), pp. 191-200.

: Apuleius, Met. 2.6; 3.12; 7.21; 9.19; 9.34; the “good ancilla”: 3.13; see other examples in Regine May, Apuleius and Drama: The Ass on Stage (Oxford Classical Monographs; Oxford: Oxford University Press, 2006), pp. 5-6, and passim, with due acknowledgment to Bradley, “Apuleiana,” Phoenix 62 (2008), pp. 370-75. Apuleius (Florida 16.6) lists twelve stock characters of the comic stage, evidence that he clearly knew such dramatic conventions. See also Stavros A. Frangoulidis, Roles and Performances in Apuleius’ “Metamorphoses” (Drama, Beiträge zum antiken Drama und seiner Rezeption, Beihefte 16; Stuttgart: J.B. Metzler, 2001), pp. 97-98, and passim; and Alexander Kirichenko, “Writing Like a Clown: Apuleius’ Metafiction and Plautus’ Metatheater,” Göttinger Forum für Altertumswissenschaft 10 (2007), pp. 259-71. For the continued performance of Plautus and Terence throughout the empire, and the influence of their stock comic characters on later Roman writers (such as Tacitus and Livy), see S.K. Dickison, “Claudius: Saturnalicius Princeps,” Latomus 36 (1977), pp. 634-47; and Leon Catin, “Comedy, Wit, and Humour in Livy,” in Jane D. ­Chaplin and Christina S. Kraus (eds.), Oxford Readings in Classical Studies: Livy (Oxford: Oxford University Press, 2009), pp. 191-200.)| false
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J. Albert Harrill, “The Psychology of Slaves in the Gospel Parables: A Case Study in Social History,” BZ 55 (2011), pp. 63-74; J. Albert Harrill, Slaves in the New Testament: Literary, Social, and Moral Dimensions (Minneapolis: Fortress Press, 2006), esp. pp. 59-83; and J. Albert Harrill, “The Metaphor of Slavery in the Writings of Tertullian,” StPatr 42 (2006), pp. 385-90.

J. Albert Harrill, “The Psychology of Slaves in the Gospel Parables: A Case Study in Social History,” BZ 55 (2011), pp. 63-74; J. Albert Harrill, Slaves in the New Testament: Literary, Social, and Moral Dimensions (Minneapolis: Fortress Press, 2006), esp. pp. 59-83; and J. Albert Harrill, “The Metaphor of Slavery in the Writings of Tertullian,” StPatr 42 (2006), pp. 385-90.)| false
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