Auditory and acoustic descriptions are presented for the tones and tone sandhi of two Wenzhou speakers in disyllabic words with tones from the historical ping + qu categories. Differences between the speakers both in isolation tones and tone sandhi are demonstrated. It is suggested that the opaque morphotonemic relationships between sandhi and isolation tones are better accounted for historically, rather than as synchronic operations on unique underliers. The effects of stress / metrical strength are an important factor.
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| All Time | Past 365 days | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 329 | 83 | 7 |
| Full Text Views | 173 | 1 | 0 |
| PDF Views & Downloads | 160 | 4 | 0 |
Auditory and acoustic descriptions are presented for the tones and tone sandhi of two Wenzhou speakers in disyllabic words with tones from the historical ping + qu categories. Differences between the speakers both in isolation tones and tone sandhi are demonstrated. It is suggested that the opaque morphotonemic relationships between sandhi and isolation tones are better accounted for historically, rather than as synchronic operations on unique underliers. The effects of stress / metrical strength are an important factor.
| All Time | Past 365 days | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 329 | 83 | 7 |
| Full Text Views | 173 | 1 | 0 |
| PDF Views & Downloads | 160 | 4 | 0 |