Möchten Sie über diese Zeitschrift informiert bleiben? Klicken Sie bitte auf die Buttons, um unsere Alerts zu abonnieren.
Möchten Sie über diese Zeitschrift informiert bleiben? Klicken Sie bitte auf die Buttons, um unsere Alerts zu abonnieren.
The âIsiac Ceremoniesâ in the Paintings from Herculaneum: MANN, Inv. 8924 and 8919. A Reappraisal
in Annali Sezione OrientaleSearch for other papers by Rosanna Pirelli in
Current site
Google Scholar
Abstract
The two paintings from Herculaneum (MANN, inv. 8919 and 8924), found in 1745 during the Bourbon excavations, have been the subject of numerous analyses, as they are two of the few examples of Roman imperial paintings that document Isiac ceremonies in considerable detail; interpretations of them vary from author to author, sometimes quite considerably, and, to date, no common or even widely shared opinion has been reached.
Yet, given their considerable documentary value, I found it useful to tackle their analysis again, thanks also to the opportunity to observe them on high-definition digital photographs, kindly made available by the MANN Photographic Archive.
The study starts with an analytical description of the two paintings, which will form the basis for a new series of reflections on some of the issues debated and still unresolved: a)The identification of the ceremonies depicted and, consequently, the level of reliability and the actual documentary value of the two scenes; b) The identification of the figures involved; c) The number and arrangement of the paintings in the original architectural space, which most scholars believe must have been domestic in nature; d) The identification of the buildings depicted, a subject that is generally only mentioned briefly, despite the considerable architectural differences between them.
Kauf
Sofortzugang erwerben (PDF-Download und unbegrenzter Online-Zugang):
Institutszugang
Melden Sie sich mit Open Athens, Shibboleth oder Ihren institutionellen Anmeldedaten an.
Persönliche Anmeldung
Melden Sie sich mit Ihrem brill.com-Konto an
-
Adriani, A. (1940) Sanctuaire de lâépoque romaine à Ras El Soda. Annuaire du musée Gréco-Romaine (1935â1939), 136â148.
-
Albersmeier, S. (2018) The Garments of the Devotees of Isis, in Gasparini, Veymiers eds., 448â69.
-
Allroggen-Bedel, A. (1978) Rev. to Tran tam Tinh, V. (1974) Catalogue des peintures romaines (Latium et Campanie) du musée du Louvre. Gnomon 50, 428â430.
-
Allroggen-Bedel, A. (2009) Ercolano. Dal sito agli archivi, dal museo al sito, in A. Coralini (ed.), Vesuviana. Archeologie a confronto, Atti del Convegno Internazionale (Bologna 14â16 gennaio 2008), 167â179. Bologna.
-
Allroggen-Bedel, A. (2017) I documenti settecenteschi come strumenti per lo studio degli scavi ercolanesi, Anabases 26 [http://journals.openedition.org/anabases/6285].
-
Allroggen-Bedel, A. (2022) I dipinti murari di Ercolano: uno stile locale, in M. Grimaldi, a c.), I pittori di Pompei. Affreschi romani del Museo Archeologico Nazionale di Napoli (Mostra Bologna, Museo Civico Archeologico 23/9/2022â19/3/2023), 70â75. Roma.
-
Arslan, E. et al. eds. (1997) Iside: il Mito, il Mistero, la Magia, Exhibition catalogue: Palazzo Reale, 22 FebruaryâI June. Milan.
-
Backe-Dahmen, A. (2018) Roman Children and the âHorus Lockâ between Cult and Image, in Gasparini, Veymiers eds., 509â38.
-
Bissing, F.W. von (1936) Ãgyptische Kultbilder der Ptolemaierâund Römerzeit. AltO 34/1â2, 7â15.
-
Bongrani, L. (1992) Le colonne âcelateâ dellâIseo-Serapeo Campense: i risultati di alcuni studi, in G.M. Zaccone, T. Ricardi di Netro (a c.), Sesto Congresso internazionale di egittologia, Torino 1â8 settembre, 1991: Atti, I Vol., 67â73. Torino.
-
Bonneau, D. (1964) La Crue du Nil, divinité égyptienne à travers mille ans dâhistoire (332 av.â641 ap. J.C). Paris.
-
Bonneau, D. (1994) Le dieu-Nil hors de lâÃgypte (aux époques grecque, romaine et byzantine), in C. Berger, G. Clerc, N. Grimal (éds.), Hommages à Jean Leclant III. Ãtudes Isiaque (Bibliothèque dâÃtudes 106/3, IFAO), 51â62.
-
Bricault, L. (2018) Les prêtres isiaques du monde romain, in Gasparini, Veymiers (eds.), 155â97.
-
Bricault, L. (2020) Isis Pelagia: Images, Names and Cults of a Goddess of the Seas (RGRW 190). Leiden.
-
Bricault, L., M.J. Versluys, P.G.P. Meyboom, eds. (2007) Nile into Tiber. Egypt in the Roman World (Proceedings of the IIIrd International Conference of Isis Studies, Leiden, May 11-14-2005; RGRW 159). Leiden.
-
Bricault, L., R. Veymiers (2018) Jouer, chanter et danser pour Isis, in Gasparini, Veymiers eds., 690â713.
-
Campbell, Sh. (1988) The Mosaics of Antioch. The Corpus of Mosaic Pavements in Turkey, 1 (Subsidia Mediaevalia 15). Toronto.
-
De Caro, S. a c. (1992) Alla ricerca di Iside. Analisi, studi e restauri dellâIseo pompeiano nel Museo di Napoli. Napoli.
-
De Caro, S. (2006) Egittomania. Iside e il mistero, Catalogo della mostra (Napoli, 12 ottobre 2006â26 febbraio 2007). Milano.
-
Dölger, F.J. (1936) Nilwasser und Taufwasser, Antike und Christentum: kultur- und religions- geschichtliche Studien 5/3, 153â187.
-
Dunbabin, K.M.D. (2010) The Pantomime Theonoe on a Mosaic from Zeugma. Journal of Roman Archaeology 23, 413â426.
-
Dunbabin, K.M.D. (2016) Theater and Spectacle in the Art of the Roman Empire. Ithaca, NY.
-
Eingartner, J., (1991) Isis und ihre Dienerinnen in der Kunst der römischen Kaiserzeit, (Supplements to Mnemosyne 115). Leiden.
-
Emerit, S. (2011) Un métier polyvalent de lâEgypte ancienne: le danseur instrumentiste, in M.E. Delavaud-Roux (éd.), Musiques et danses dans lâAntiquité, 45â65. Rennes.
-
Ensoli Vittozzi, S. (1990) Musei Capitolini. La collezione egizia. Cinisello Balsamo.
-
Ensoli Vittozzi, S. (1998) LâIseo e Serapeo del Campo Marzio con Domiziano, Adriano e i Severi: lâassetto monumentale e il culto legato con lâideologia e la politica imperiali, in N. Bonacasa, M.C. Naro, T. Amedeo (a c.), LâEgitto in Italia dallâAntichità al Medioevo. Atti del III Congresso Internazionale Italo-Egiziano Roma, CNRâPompei, 13â19 Novembre 1995, 407â438. Roma.
-
Evangelisti, S. (2021) I pantomimi nelle città dellâItalia romana (Urbana Species. Vita di città nellâItalia e nellâImpero romano). Roma.
-
Gasparini, V. (2006) Iside a Ercolano. Il culto pubblico, in De Caro (2006), 121â24.
-
Gasparini, V. (2010) La âPalaestraâ dâHerculanum: un sanctuaire dâIsis et de la Mater Deum. Pallas 84, 229â264.
-
Gasparini, V. (2013) Staging Religion. Cultic Performances in (and around) the Temple of Isis in Pompeii, in N. Cusumano et al. (eds.), Memory and Religious Experience in the Greco-Roman World (PAwB 45), 185â211. Stuttgart.
-
Gasparini, V. (2018) Les acteurs sur scène. Théâtre et théâtralisation dans les cultes isiaques, in Gasparini, Veymiers eds., 714â46.
-
Gasparini, V., R.L. Gordon (2018) Egyptianism. Appropriating âEgyptâ in the Isiac Cults of the Graeco-Roman World. Acta Antiqua Academiae Scientiarum Hungaricae 58, 571â606.
-
Gasparini, V., R. Veymiers, eds. (2018) Individuals and Materials in the Greco-Roman Cults of Isis. Agents, Images and Practices, 2 Vols. (RGRW 187). LeidenâBoston.
-
Goette, H.R. (2012) Zur Darstellung von religiöser Tracht in Griechenland und Rom, in S. Schrenk, K. Vössing, M. Tellenbach, eds., Kleidung und Identität in religiösen Kontexten der römischen Kaiserzeit (Mannheimer Geschichtsblätter Sonderveröffentlichung 4), 20â34. Bonn.
-
Golvin, J.-C. et al. (1981) Le petit Sarapieion romain de Louqsor. BIFAO 81, 115â148.
-
Grand-Clément, A. (2018) Du blanc, du noir et de la bigarrure: le jeu des couleurs dans les representations dâisiaques, in Gasparini, Veymiers eds., 340â65.
-
Grasso, F. (2010) Scenografia teatrale, in I. Bragantini, V. Sampaolo, a c., La pittura pompeiana, 136â137. Napoli.
-
Hall, E. (2008) Pantomime, a Lost Chord in Ancient Culture, in Hall, Wyles eds., 1â24.
-
Hall, E., R. Wyles, eds. (2008) New Directions in Ancient Pantomime. New York.
-
Heyob, S.K. (1975) The Cult of Isis among Women in the Graeco-Roman World (EPRO 51). Leiden.
-
Ãñiguez Berrozpe, L., L. Madurga Azores (2022) Las cabezas femeninas mofletudas en pintura mural romana: aproximación a una nueva interpretación. PYRENAE 53/2, 123â144.
-
Jørgensen, J.K.B. (2015) Myths, Menarche and the Return of the Goddess, in R. Nyord, K. Ryholt (eds.), Lotus and Laurel: Studies on Egyptian Language and Religion in Honour of Paul John Frandsen (CNIP 39), 133â164. Copenhagen.
-
Lafaye, G. (1884) Histoire du culte des divinités dâAlexandrie, Sarapis, Isis, Harpocrate et Anubis hors de lâEgypte. Paris.
-
Leipoldt, J. (1925) Archäologisches zur Isisreligion.
ÎÎÎÎÎÎΣ 1, 126â129. -
Levi, D. (1971) Antioch Mosaic Pavements, 2 Vols. Rome.
-
Malaise, M. (1972) Inventaire préliminaire des documents égyptiens découverts en Italie (EPRO 21).
-
Malaise, M. (1992) Toilette et garde-robes des dieux. Ãcole pratique des hautes études, Section des sciences religieuses. Annuaire 101, 125â131.
-
Malaise, M., R. Veymiers (2018) Les dévotes isiaques et les atours de leur déesse, in Gasparini, Veymiers eds., 470â508.
-
Mazzoni, S. (2008) Panorama di Pompei: storia dello spettacolo e mondo antico. Annali Online di FerraraâLettere 2, 187â243.
-
Merkelbach, R. (1963) Isisfeste in griechisch-römischer Zeit. Daten und Riten (Beiträge zur klassischen Philologie 5). Meisenheim am Glan.
-
Meyboom, P., M.J. Versluys (2007) The Meaning of Dwarfs in Nilotic Scenes, in Bricault, Versluys, Meyboom eds., 170â208.
-
Mielsch, H. (2001) Römische Wandmalerei. Darmstadt.
-
Moormann, E.M. (1988) La pittura parietale romana come fonte di conoscenza per la scultura antica (Scrinium. Monographs on History, Archaeology, and Art History published by the Foundation of Friends of the Dutch Institute in Rome 2). New Hampshire.
-
Moormann, E.M. (2018) Ministers of Isiac Cults in Roman Wall Painting, in Gasparini, Veymiers eds., 366â83.
-
Mora, F. (1990) Prosopografia Isiaca, I. Corpus prosopographicum religionis Isiacae. II. Prosopografia storica e statistica del culto isiaco (EPRO 113), 2 Vols. LeidenâNew YorkâKobenhavnâKöln.
-
Müller, H.W. (1969) Der Isiskult im antiken Benevent und Katalog der Skulpturen aus den ägyptischen Heiligtümern im Museo del Sannio zu Benevent (MÃS XVI).
-
Müller, H.W. (1971) Il culto di Iside nellâAntica Benevento. Catalogo delle Sculture provenienti dai santuari egiziani dellâAntica Benevento nel Museo del Sannio (translated by S. Curto; Saggi e Studi del museo del Sannio II). Benevento.
-
Naerebout, F. (2007) The Temple of Ras el-Soda. Is it an Isis Temple? Is it Greek, Roman, Egyptian, or Neither? And so what?, in Bricault, Versluys, Meyboom eds., 506â54.
-
Nielsen, I. (2002) Cultic Theatres and Ritual Drama. A Study in Regional Development and Religious Interchange between East and West in Antiquity (Studies in Mediterranean Antiquity 4). Aarhus.
-
Noguera Celdran, J.M. (2019) Arqueologia de los espacios sagrados en Carthago Nova: el Santuario isiaco del Molinete (Insula II), in J.M. Noguera Celdran et al., Santuario De Isis y Serapis (Insula II) Molinete/Cartagena. Barrio del foro romano. Proyecto integral de recuperacion y conservacion, 17â27. Murcia.
-
Pannuti, U. (1983) I diari di scavo di Ercolano 1738â1756. Memorie dellâAccademia dei Lincei 3, 163â410.
-
Pirelli, R. (1997) LâIseo di Benevento, in Arslan et al. a. c., 376â80, 503â11.
-
Pirelli, R. (2006) Il culto di Iside a Benevento, in S. De Caro a. c., 129â36.
-
Pirelli, R. (2016) Il tempio di Iside a Benevento, in. F. Poole a. c., Il Nilo a Pompei. Visioni dâEgitto nel mondo romano, 88â103. Torino.
-
Pirelli, R. (2023) The Imperial Iseum in Benevento and its Zoomorphic Gods, in R. Pirelli, M.D. Pubblico, S. Ikram (eds), Animals in Religion, Economy and Daily Life of Ancient Egypt and beyond (Studi africanisticiâSerie Egittologica 4), 311â30.
-
Pirelli, R. (2024) Priests Carrying âOsiris-Canopus/Hydreiosâ: from Alexandria to the Imperial Isea outside Egypt: Preliminary Considerations, in G. Miniaci et al., eds., Egypt in Ancient and Modern Tales, Travels and Explorations. Studies presented to Marilina Betrò, 79â87, Pisa.
-
Pirelli, R. (in press) Domitianâs Iseum in Benevento and its Egyptian Referents, Proceedings of The XIIIth International Congress of Egyptologists (Leiden 6â11 Aug 2023), Egyptologische Uitgaven Series. Leiden.
-
Rosso Caponio, E. (2020) Restituer lâemplacement des statues dans les édifices dâHerculanum? Problèmes de méthode. Anabases 27 [http://journals.openedition.org/anabases/6756]. 1st ed. 2018.
-
Sampaolo, V. (1997) Cerimonia isiaca, scheda di catalogo in Arslan et al. a.c., 447.
-
Swetnam-Burland, M.R. (2011) âEgyptianâ Priests in Roman Italy, in E.S. Gruen, ed., Cultural Identity in the Ancient Mediterranean, 336â353. Los Angeles.
-
Tran tam Tinh, V. (1971) Le culte des divinités orientales à Herculanum (EPRO 17). Leiden.
-
Van Andringa, W. (2009) Quotidien des dieux et des hommes: la vie religieuse dans les cités du Vésuve à lâépoque romaine (BEFAR 337). Rome.
-
Vendries, C. (2013) Questions dâiconographie musicale: lâapport des terres cuites à la connaissance de la musique dans lâEgypte hellénistique et romaine. Greek and Roman Musical Studies 1, 195â227.
-
Webb, R. (2008) Inside the Mask: Pantomime from the Performersâ Perspective, in E. Hall, R. Wyles, 43â60.
-
Wyles, R. (2008) The Symbolism of Costume in Ancient Pantomime, in E. Hall, R. Wyles, 61â86.
| Insgesamt | Letzte 365 Tage | In den letzten 30 Tagen | |
|---|---|---|---|
| Aufrufe von Kurzbeschreibungen | 1809 | 1809 | 1684 |
| Gesamttextansichten | 17 | 17 | 0 |
| PDF-Downloads | 43 | 43 | 1 |
The âIsiac Ceremoniesâ in the Paintings from Herculaneum: MANN, Inv. 8924 and 8919. A Reappraisal
in Annali Sezione OrientaleSearch for other papers by Rosanna Pirelli in
Current site
Google Scholar
PubMed
Abstract
The two paintings from Herculaneum (MANN, inv. 8919 and 8924), found in 1745 during the Bourbon excavations, have been the subject of numerous analyses, as they are two of the few examples of Roman imperial paintings that document Isiac ceremonies in considerable detail; interpretations of them vary from author to author, sometimes quite considerably, and, to date, no common or even widely shared opinion has been reached.
Yet, given their considerable documentary value, I found it useful to tackle their analysis again, thanks also to the opportunity to observe them on high-definition digital photographs, kindly made available by the MANN Photographic Archive.
The study starts with an analytical description of the two paintings, which will form the basis for a new series of reflections on some of the issues debated and still unresolved: a)The identification of the ceremonies depicted and, consequently, the level of reliability and the actual documentary value of the two scenes; b) The identification of the figures involved; c) The number and arrangement of the paintings in the original architectural space, which most scholars believe must have been domestic in nature; d) The identification of the buildings depicted, a subject that is generally only mentioned briefly, despite the considerable architectural differences between them.
| Insgesamt | Letzte 365 Tage | In den letzten 30 Tagen | |
|---|---|---|---|
| Aufrufe von Kurzbeschreibungen | 1809 | 1809 | 1684 |
| Gesamttextansichten | 17 | 17 | 0 |
| PDF-Downloads | 43 | 43 | 1 |
