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Acknowledgements

In: Ekphrastic Image-making in Early Modern Europe, 1500–1700
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Acknowledgements

The Corinth Endowment, gifted to the Emory Art History Department by Kay Corinth in honour of her father-in-law, the painter Lovis Corinth, made possible the colloquium at which many of the first versions of the essays in this volume were delivered. In 2016, her sister Mary Sargent substantially increased this endowment. The annual colloquia provide an interdisciplinary forum for the study of early modern northern art. Some of this book’s essays were also presented at sessions on visual ekphrasis co-organized by us at the annual meetings of the College Art Association of America, the Sixteenth Century Society, and the Renaissance Society of America. A further session on ekphrasis took place at the 2018 conference of the Historians of Netherlandish Art, in Ghent. The editors are grateful to Claire Sterk, President of Emory University, Michael Elliott, Dean of Emory College, Carla Freeman, Senior Associate Dean of Faculty, Lisa Tedesco, Dean of the Laney Graduate School, and Sarah McPhee, Samuel Candler Dobbs Professor of Art History and Departmental Chair, for their lively interest in and support of the Corinth Colloquia. Richard (Bo) Manly Adams, Jr., Director of Pitts Theology Library and Margaret A. Pitts Assistant Professor in the Practice of Theological Bibliography, made his fine collections available to the participants. Kim Collins, Humanities Librarian, did the same at the Rose Library of Manuscripts, Archives, and Rare Books, where Jennifer Gunter King, Director, and Beth Shoemaker, Rare Books Librarian, warmly welcomed us. Linnea Harwell, Academic Degree Programs Coordinator in Graduate Studies, facilitated the colloquium with incredible grace and efficiency, and assisted our visitors in ways too numerous to count. Blanche Barnett, Academic Department Administrator, provided essential administrative support during the planning and implementation of the colloquium. Christopher Sawula, Visual Resources Librarian, and Becky Baldwin, Assistant Librarian, supplied both images and technical expertise. Last but not least, the editors owe a great debt of thanks to Alexandra Zigomalas and Annie Maloney, without whose assistance this volume could not have seen the light of day.

Walter Melion and Art DiFuria

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Ekphrastic Image-making in Early Modern Europe, 1500–1700

Series:  Intersections, Volume: 79
Cover Ekphrastic Image-making in Early Modern Europe, 1500–1700
E-Book ISBN:
9789004462069
Publisher:
Brill
Print Publication Date:
16 Dec 2021
  • Subjects
    • Art History
      • Art History
      • Art Theory
    • History
      • Art History
Front Matter
Preliminary Material
Copyright page
Dedication
Acknowledgements
Illustrations
Notes on the Editors
Notes on the Contributors
Introduction: Ekphrastic Image-Making
Part 1 Humanism, Print, Ekphrasis
Chapter 1 ‘The Reader Seems to Have Seen Rather Than Read’: Ekphrasis as an Instrument of Religious Persuasion in Erasmus of Rotterdam
Chapter 2 The Artist’s Frame of Reference in Antoine Sucquet’s Via Vita Aeternae
Chapter 3 ‘No Less Difficult to Paint … Than to Describe’: Chaos in Michel de Marolles’s Tableaux du Temple des Muses
Chapter 4 The Edge of Ekphrasis: Bellori and Reproductive Printmaking
Part 2 Poem, Image, Ekphrasis
Chapter 5 Mythography as Ekphrasis: Ludovico Lazzarelli’s De gentilium deorum imaginibus, and the Poetics of Humanism
Chapter 6 Antithesis, Ekphrasis, and Antiphrasis in Joachim du Bellay’s Ruinscape, Les Antiquités de Rome
Chapter 7 Through a Poet’s Eyes: Jan van der Noot’s Poem on the Capital Sins
Chapter 8 Virtual Reality of the Early Modern Anatomical Poem in Denmark and England
Part 3 Sacred Ekphrasis
Chapter 9 Robert Campin and Jan van Ruusbroec: Spiritual Conflagrations and Ekphrastic Mysticism
Chapter 10 Transfiguring Raphael, Reforming Christ: Ekphrastic Image-Making in Nicolas Poussin’s The Miracle of St. Francis Xavier
Chapter 11 Levels to Ekphrasis in the Tableaux de la Pénitence
Part 4 Ekphrastic Images
Chapter 12 Art between Fact and Fantasy: Tracing the Afterlife of Ekphrastic Architecture in Renaissance Italy
Chapter 13 Ekphrasis and Ovidian Poetics in Hendrick Goltzius’s Landscape with Venus and Adonis of ca. 1598
Chapter 14 Rembrandt’s Judas Returning the Silver of 1629: Visual and Literary Associations
Chapter 15 ‘By This Blood Most Chaste […]’ (Livy, The History of Rome, Book 1.59): Passion and Politics in Rembrandt’s Lucretia of 1666
Chapter 16 Finding, Stealing, Translating: The Subject(s) of Tintoretto’s Brera Scuola Grande di San Marco Istoria
Part 5 Nature, Art, Ekphrasis
Chapter 17 Reveries of the Source
Chapter 18 Ekphrasis and the Romance of Botany in the Age of Pietro Andrea Mattioli
Part 6 Global Ekphrasis
Chapter 19 Seeing ‘de flandes’
Chapter 20 ‘Escribieron en mi memoria’: Ekphrasis in the Pastoral Fiction of New Spain
Chapter 21 Ekphrasis and the Global Eighteenth Century: A.E. van Braam Houckgeest’s Collection of Chinese Art
Back Matter
Index Nominum

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