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于Lomazzo’s Aesthetic Principles Reflected in the Art of his Time
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Giovanni Giorgio Settala, Theatrum orbis terrarium Ducatus Mediolanensis, 1592. Engraving, 350 × 480 mm. Raccolta delle Stampe “Achille Bertarelli”, Castello Sforzesco, Milan.

Photo: Courtesy of the Raccolta delle Stampe “Achille Bertarelli”.
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Giacomo Franco (engraver), perspective plan of Milan, ca. 1569–80. Etching, 205 × 293 mm. Raccolta delle Stampe “Achille Bertarelli”, Castello Sforzesco, Milan.

Photo: Courtesy of the Raccolta delle Stampe “Achille Bertarelli”.
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Lomazzo’s Aesthetic Principles Reflected in the Art of his Time

With a Foreword by Paolo Roberto Ciardi, an Introduction by Jean Julia Chai, and an Afterword by Alexander Marr

丛编： Brill's Studies in Intellectual History, 卷： 318/49and Brill's Studies on Art, Art History, and Intellectual History, 卷： 318/49
Cover Lomazzo’s Aesthetic Principles Reflected in the Art of his Time
ISBN:
9789004435100
出版社:
Brill
印刷出版日期:
19 Aug 2020
  • Subjects
    • Art History
      • Art History
    • History
      • Art History
Front Matter
Copyright page
Preface
Foreword: Lomazzo’s Temple
Acknowledgements
Figures and Maps
Maps
Abbreviations
Notes on Contributors
Notes
Chronology of Lomazzo’s Life and Career
Introduction Lomazzo Studies: Getting the Whole Picture
Chapter 1 ‘Oh blessed, excellent mind and hands!’: Lomazzo’s Admiration for Gaudenzio Ferrari
Chapter 2 New Light on Lomazzo’s Artistic Career
Chapter 3 Giovanni Ambrogio Brambilla: Poet, Painter, Draughtsman, and Printmaker between Milan and Rome
Chapter 4 Lomazzo vs. Luini: Comparative Aesthetics
Chapter 5 ‘De la gran Cantona i chiari honori’: Caterina Cantoni, Lomazzo, and the Accademia della Val di Blenio
Chapter 6 Lomazzo’s Two Pupils: ‘first is Figino, and then Ciocca’
Chapter 7 Lomazzo’s Influence on Decorative Patterns in Sculptural Workshops Before and After 1600
Afterword: Lomazzo’s Shadow
Back Matter
Appendices
Bibliography
Index of Proper Nouns
Index of Places

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