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Acknowledgements

In: Quid est secretum?
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Acknowledgements

The Corinth Endowment, gifted to the Emory Art History Department by Kay Corinth in honour of her father-in-law, the painter Lovis Corinth, made possible the colloquium at which the first versions of the essays in this volume were delivered. In 2016, her sister Mary Sargent substantially increased this endowment. The annual colloquia provide an interdisciplinary forum for the study of early modern northern art. The editors are grateful to Claire Sterk, President of Emory University, Michael Elliott, Dean of Emory College, Carla Freeman, Senior Associate Dean of Faculty, Lisa Tedesco, Dean of the Laney Graduate School, and Sarah McPhee, Samuel Candler Dobbs Professor of Art History and Departmental Chair, for their lively interest in and support of the Corinth Colloquia. Richard (Bo) Manly Adams, Jr., Director of Pitts Theology Library and Margaret A. Pitts Assistant Professor in the Practice of Theological Bibliography, made his fine collections available to the participants. Kim Collins, Humanities Librarian, did the same at the Rose Library of Manuscripts, Archives, and Rare Books. Linnea Harwell, Academic Degree Programs Coordinator in Graduate Studies, facilitated the colloquium with incredible grace and efficiency, and assisted our visitors in ways too numerous to count. Blanche Barnett, Academic Department Administrator, provided essential administrative support during the planning and implementation of the colloquium. Christopher Sawula, Visual Resources Librarian, and Becky Baldwin, Assistant Librarian, supplied both images and technical expertise. Last but not least, the editors owe a great debt of thanks to Annie McEwen, whose assistance at every level ensured that this volume saw the light of day.

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Quid est secretum?

Visual Representation of Secrets in Early Modern Europe, 1500–1700

Series:  Intersections, Volume: 65/2
Cover <i>Quid est secretum?</i>
E-Book ISBN:
9789004432260
Publisher:
Brill
Print Publication Date:
07 Sep 2020
  • Subjects
    • Art History
      • Art History
    • History
      • Early Modern History
      • Art History
    • Philosophy
      • Epistemology & Metaphysics
Front Matter
Copyright page
Dedication
Acknowledgements
Notes on the Editors
Notes on the Contributors
Illustrations
Introduction: What’s in a Secret?
Part 1 The Spiritual locus of Secret
Chapter 1 In the Secrecy of the Cell: Late Medieval Carthusian Devotional Imagery and Meditative Practices in the Low Countries
Chapter 2 Jesus, Mary, and Joseph as Artisans of the Heart and Soul in Manuscript MPM R 35 Vita S. Ioseph beatissimae Virginis sponsi of ca. 1600
Chapter 3 Symbols and (Un)concealed Marian Mysteries in the First Litany of Loreto Illustrated with Emblems: Peter Stoergler’s Asma Poeticum (Linz, 1636)
Chapter 4 ‘Teach Me, Reveal the Secret to My Heart’: the Role of a Spiritual Guide in the Meditative Works of Marcin Hińcza
Part 2 Science and Secrecy
Chapter 5 Of Grids and Divine Mystery: Gerard Mercator’s Revelation
Chapter 6 What Did They See?: Science and Religion in the Anatomical Theatres of the Sixteenth and Seventeenth Centuries
Part 3 The Secret in Matter
Chapter 7 The Sienese Goldsmith and the Secrets of Florentine Disegno
Chapter 8 An Open and Shut Case: On the Dialectic of Secrecy and Access in the Early-Modern Kunstkammer
Chapter 9 Mysterious Noises: Orphic Strings, Rough Music, and the Sounds of Early Modern Ornament Prints
Chapter 10 ‘Insettinghe’ and ‘yegelijcx conversatie’: Understanding of the Image on the Eve of Baroque
Chapter 11 Roger de Piles and the Secret of Grace
Part 4 Secrecy and Sanctity: Negotiating Secular and Sacred Registers of the Secret
Chapter 12 In Abscondito: Visuality and Testimony in Raphael’s Transfiguration
Chapter 13 Secrets of the Dark: Rembrandt’s Entombment (c. 1654)
Chapter 14 Poussin and Richeome: Mystery and Figurability
Chapter 15 Portrait or Parable?: Pierre Mignard and the Mystery of Madame de Maintenon
Part 5 Secrets of the Ars symbolica: Emblems and Enigmas
Chapter 16 Secret est à louer: Secrets and Secrecy in French Baroque Cartography, 1580–1640
Chapter 17 Hidden in Plain Sight: Melchior Lorck’s Emblematized Adages
Chapter 18 To Hide Is to Reveal: the Paradox of Representing Secrets
Part 6 Challenges of the Secret: Publicity, Performance, and Play
Chapter 19 Getting to How-To: Chiromancy, Physiognomy, Metoscopy and Prints in Secrets’ Service
Chapter 20 The Answer Lies in the Eye of the Beholder: the Emblematic Ceiling Program in the Town Hall of Gdańsk
Chapter 21 Convents, Condottieri, and Compulsive Gamblers: Hands-On Secrets of Lorenzo Spirito’s Libro
Chapter 22 Secrecy and the Understanding of Small Things in Early Modern Italy
Back Matter
Index Nominum

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