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In: Scorsese and Religion
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Figures

  1. 6.1 J.R. (Harvey Keitel) in Who’s That Knocking at My Door. 124
  2. 6.2 J.R. (Harvey Keitel) in Who’s That Knocking at My Door. 124
  3. 6.3 J.R. (Harvey Keitel) in Who’s That Knocking at My Door. 125
  4. 6.4 Anonymous woman trampled after the LaMotta-Reeves fight in Raging Bull. 134
  5. 6.5 Anonymous woman trampled after the LaMotta-Reeves fight in Raging Bull. 134
  6. 6.6 Boxcar Bertha (Barbara Hershey) in Boxcar Bertha. 137
  7. 6.7 Boxcar Bertha (Barbara Hershey) in Boxcar Bertha. 137
  8. 6.8 Big Bill Shelly (David Carradine) as Christ-figure in Boxcar Bertha. 139
  9. 6.9 Big Bill Shelly (David Carradine) in Boxcar Bertha. 139
  10. 9.1 “He’s already gone, completely gone.” Frank Pierce (Nicolas Cage) in Bringing Out the Dead. 197
  11. 9.2 Travis Bickle (Robert De Niro) in Taxi Driver. 197
  12. 9.3 Frank’s growing attraction to Mary Burke (Patricia Arquette) conveyed in a dissolve between two shots. 202
  13. 9.4 Our Lady of Perpetual Mercy. 203
  14. 9.5 Joe Connelly (uncredited) is brought into the hospital as a patient. 204
  15. 9.6 A sighting of Rose in Bringing Out the Dead. 214
  16. 9.7 “You have the power, Jesus, you have the might, you have the super light.” 216
  17. 9.8 The Oasis in Bringing Out the Dead. 217
  18. 9.9 Bringing out the dead. 217
  19. 9.10 Bringing out the dead. 218
  20. 9.11 Raising the possessed in The Last Temptation of Christ. 219
  21. 9.12 Charlie (Harvey Keitel) before the Pietà in Mean Streets. 221
  22. 9.13 Pietà in The Last Temptation of Christ; Mary Magdalene (Barbara Hershey) cradling Jesus (Willem Dafoe). 222
  23. 9.14 Pietà in Bringing Out the Dead: Frank cradling Cy. 224
  24. 9.15 Pietà in Bringing Out the Dead: Mary cradling Frank. 227

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Scorsese and Religion

Series:  Studies in Religion and the Arts, Volume: 15
Cover Scorsese and Religion
E-Book ISBN:
9789004411401
Publisher:
Brill
Print Publication Date:
29 Aug 2019
  • Subjects
    • Art History
      • General
    • Religious Studies
      • General
    • Theology and World Christianity
      • General
Front Matter
Copyright Page
Dedication
Acknowledgements
Illustrations
Notes on Contributors
Introduction
Part 1 Scorsese and Catholicism
Chapter 1 The Catholic Scorsese – or How a Seminarian Turned to the Movies
Chapter 2 No Way Out: Martin Scorsese and the Ecclesial Imagination
Part 2 Religious Influences and Themes in Scorsese’s Cinema
Chapter 3 Dostoevskian Elements in Scorsese’s Cinema
Chapter 4 The Problem of Violence in Scorsese’s Films: The Catholic Gangster as Tragic Hero
Chapter 5 Violence and Redemption in Scorsese’s Films: A Girardian Reading
Chapter 6 Scorsese as a Critic of Modernity: The Woman Question
Part 3 Scorsese and Religion: A Selective Filmography
Chapter 7 The Last Temptation of Christ: Scorsese’s Jesus among Ordinary Saints
Chapter 8 Scorsese’s Kundun as Catholic Encounter with the Dalai Lama and His Tibetan Dharma1
Chapter 9 Pity and Pardon in Scorsese’s Palimpsest, Bringing Out the Dead
Chapter 10 Martin Scorsese’s Screening Room: Theatricality, Psychoanalysis, and Modernity in Shutter Island
Chapter 11 Reinventing Human Experience: Hugo and the Theological Possibilities of Film
Chapter 12 The Wolf of Wall Street and Economic Nihilism
Chapter 13 The Global Afterlives of Silence
Back Matter

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