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In: Quid est sacramentum?
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Cover illustrations: The foreground image of the Christ Child holding the sudarium is Fig. 16.7 of David Areford’s chapter: Christ Child with the Veronica Veil, German, c. 1475. Coloured woodcut, 129 × 79 mm. Paris, Bibliothèque nationale de France, Res. EA-5-BTE (9) © Bibliothèque nationale de France; the background image is Fig. 1.5 of the “Introduction”: Theodoor Galle, Emblem 11: “Speculum aenigmaticum” (Enigmatic Mirror), from Jan David, S.J., Duodecim specula Deum aliquando videre desideranti concinnata (Antwerp, Joannes Moretus: 1610), 8vo. By courtesy of The Newberry Library.

Library of Congress Cataloging-in-Publication Data

Names: Melion, Walter S., editor. | Pastan, Elizabeth Carson, editor. | Wandel, Lee Palmer, editor.

Title: Quid est sacramentum? : visual representation of sacred mysteries in early modern Europe, 1400–1700 / edited by Walter S. Melion, Elizabeth Carson Pastan, Lee Palmer Wandel.

Description: Leiden ; Boston : Brill, [2019] | Series: Intersections : interdisciplinary studies in early modern culture, 1568–1181 ; volume 65 | Includes bibliographical references and index.

Identifiers: LCCN 2019024728 (print) | LCCN 2019024729 (ebook) | ISBN 9789004408937 (hardback) | ISBN 9789004408944 (ebook)

Subjects: LCSH: Sacraments in art. | Christian art and symbolism—Europe. | Art and society—Europe—History.

Classification: LCC N7831 .Q53 2019 (print) | LCC N7831 (ebook) | DDC 704.9/482—dc23

LC record available at https://lccn.loc.gov/2019024728

LC ebook record available at https://lccn.loc.gov/2019024729

Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface.

ISSN 1568-1181

ISBN 978-90-04-40893-7 (hardback)

ISBN 978-90-04-40894-4 (e-book)

Copyright 2020 by Koninklijke Brill NV, Leiden, The Netherlands.

Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi, Brill Sense, Hotei Publishing, mentis Verlag, Verlag Ferdinand Schöningh and Wilhelm Fink Verlag.

All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher.

Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change.

This book is printed on acid-free paper and produced in a sustainable manner.

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Quid est sacramentum?

Visual Representation of Sacred Mysteries in Early Modern Europe, 1400–1700

Series:  Intersections, Volume: 65/1
Cover <i>Quid est sacramentum?</i>
E-Book ISBN:
9789004408944
Publisher:
Brill
Print Publication Date:
03 Oct 2019
  • Subjects
    • Art History
      • Art History
      • Art Theory
    • History
      • Medieval History
      • Early Modern History
      • Art History
Front Matter
Copyright page
Acknowledgements
Illustrations
Notes on the Editors
Notes on the Contributors
Chapter 1 Quid est sacramentum?: Introduction
Part 1 Representing the Sacraments
Chapter 2 Counterfeiting the Eucharist in Late Medieval Life and Art
Chapter 3 Vestments in the Mass
Chapter 4 ‘In the Flesh a Mirror of Spiritual Blessings’: Calvin’s Defence of the Lord’s Supper as a Visual Accommodation
Chapter 5 ‘Mystery’ or ‘Sacrament’: Ephesians 5:32, the Sacrament of Marriage in Early Modern Biblical Scholarship, and Nicolas Poussin’s Visual Exegesis
Chapter 6 Hoc Est Corpus Meum: Whole-Body Catacomb Saints and Eucharistic Doctrine in Baroque Bavaria
Chapter 7 Staging Sacramental Consolation in Vienna
Part 2 Sacramental Modes of Representation
Chapter 8 Seeing beyond Signs: Allegorical Explanations of the Mass in Medieval Dutch Literature
Chapter 9 Representing Architecture in the Altarpiece: Fictions, Strategies, and Mysteries
Chapter 10 Orchestrating Polyphony at the Altar: Passion Altarpieces in Late Medieval France
Chapter 11 God’s Design: Painting and Piety in the Vida of Estefanía de la Encarnación (ca. 1597–1665)
Chapter 12 Amber, Blood, and the Holy Face of Jesus: the Materiality of Devotion in Late Medieval Bruges
Chapter 13 Anchoring the Appearance of the Sacred: the Abbot of Choisy & His Translation of the Imitatio Christi (1692)
Chapter 14 Spiritual and Material Conversions: Federico Barocci’s Christ and Mary Magdalene
Part 3 Representing Divine Presence and the Mysteries of Faith
Chapter 15 The Fine Art of Dying: Envisioning Death in the Somme le Roi Tradition
Chapter 16 Christ Child Creator
Chapter 17 Lady Scripture’s Sacred Commitments: Dialogic Understanding in Dutch Religious Literature of the Late Fifteenth Century
Chapter 18 Coemeterium Schola: the Emblematic Imagery of Death in Jan David, S.J.’s Veridicus Christianus
Chapter 19 The Limits of ‘Mute Theology’: Charles Le Brun’s Lecture on Nicolas Poussin’s Ecstasy of Saint Paul Revisited
Chapter 20 A Private Mystery: Looking at Philippe de Champaigne’s Annunciation for the Hôtel de Chavigny
Back Matter
Index Nominum

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