Imitatio und Aemulatio. KÃ¼nstlerkonkurrenz und herrschaftliche Statusinszenierung um 1500 â mit einem besonderen Blick auf das Montefeltro-Diptychon Piero della Francescas und einem Seitenblick auf Rubens und VelÃ zquez

Matthias MÃ¼ller

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Imitatio und Aemulatio. KÃ¼nstlerkonkurrenz und herrschaftliche Statusinszenierung um 1500 â mit einem besonderen Blick auf das Montefeltro-Diptychon Piero della Francescas und einem Seitenblick auf Rubens und VelÃ zquez

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Matthias MÃ¼ller

Matthias MÃ¼ller
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Page Range:: 201â230

DOI:: https://doi.org/10.30965/9783846764183_010

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Abstract

The Florentine humanist and theorist Leon Battista Alberti recommends in his painting treatise âDe Picturaâ the principles of imitatio and aemulatio as decisive constitutive elements for a renewal or further development of the visual arts. Not only Italian, but also Dutch and German artists were concerned with these art-theoretical premises. Only when imitatio is surpassed by aemulatio, as is argued in this study, are works of art created whose narrative, compositional and material quality was able to satisfy the particularly demanding expectations of princes and kings and the courtly elites.

In the cultural and political world of the early modern period, the concept of imitatio and aemulatio cannot ultimately be thought of without the court context, which is why particular attention should be paid to this constellation in this article using concise case studies, with a special view of the Montefeltro diptych Piero della Francescaâs and a side glance at Rubens and VelÃ zquez. Based on these case studies it can be shown that the art-theoretical principles of imitatio and aemulatio in the sphere of court art were ultimately only able to exist in connection with the principle of political and dynastic representation.

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Imitationen

Systematische ZugÃ¤nge zu einem kulturellen Prinzip des Mittelalters

ä¸ç¼ï¼ MÃ¼nstersche Mittelalter-Schriften, å·ï¼ 83

ISBN:: 9783846764183

åºçç¤¾:: Brill | Fink

å°å·åºçæ¥æ:: 03 Sep 2021

Subjects
- Literature and Cultural Studies
  - Cultural History

Front Matter

FÃ¤hrten zum Imitieren: Methodische ZugÃ¤nge

Imitieren in der Sprache

Imitieren in Kunst und materieller Kultur

Imitieren als conditio humana

Im Rad des Imitierens

Back Matter

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African Studies	Education	Media Studies
American Studies	History	Middle East and Islamic Studies
Ancient Near East and Egypt	Human Rights and Humanitarian Law	Musicology
Art History	International Law	Philosophy
Asian Studies	International Relations	Religious Studies
Biblical Studies	Jewish Studies	Slavic and Eurasian Studies
Biology	Languages and Linguistics	Social Sciences
Book History and Cartography	Life Sciences	Theology and World Christianity
Classical Studies	Literature and Cultural Studies

Subjects

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Imitatio und Aemulatio. KÃ¼nstlerkonkurrenz und herrschaftliche Statusinszenierung um 1500 â mit einem besonderen Blick auf das Montefeltro-Diptychon Piero della Francescas und einem Seitenblick auf Rubens und VelÃ zquez

Abstract

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